Apopthelema Entry 7 Part 2 by Kyle Nonneman
by Kyle Nonneman
[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the link listed at the end of this entry.]
FUCK THE Adult Swim Noise comp!
!NOTHINGISTTRUE!
"FOR IT IS NOT FOR THIS WORLD, IT IS NEVER FOR THIS EARTH THAT WE HAVE ALWAYS WORKED /STRUGGLED/THOUGHT OF HORROR OF HUNGER OF POVERTY OF HATRED OF SCANDAL AND OF DISGUST THAT WE WERE ALL POISONED ALTHOUGH BY THESE THINGS. WE MAY HAVE ALL BEEN BEWITCHED AND THAT WE HAVE FINALLY COMMITTED SUICIDE. FOR ARE WE NOT ALL, LIKE POOR VAN GOGH HIMSELF, SUICIDED BY SOCIETY. WORTHY PRODUCT OF THEIR DAMAGED BRAINS THE LANDSCAPES SHOW THEIR HOSTILE FLESH THE ANVIL OF EVISCERATED FOLDS"-ARTAUD
*
THE LOW LIFE FORM BEHIND BLACKHOUSE STATED IN INTERVIEWS THAT HE CANT WAIT UNTIL NOISE/P.E IS ASSIMILATED INTO THE TOP 40. THIS COMPILATION IS A STEP TOWARDS ACHIEVING THE CHRISTIAN SUBJUGATION OF RESISTANCE BLACKHOUSE WAS TALKING ABOUT WHEN HE SAID THAT. THE FACT THAT PEOPLE TREAT BLACKHOUSE WITH RESPECT & PEOPLE DOWNLOADED THIS COMP, SAYS A LOT ABOUT THE SAD DECLINING STATE OF THE UNDERGROUND.
BLACKHOUSE WAS RELEASED BY RRR AS A JOKE BECAUSE EMIL BEAULIEAU HATES POWER ELECTRONICS AND THIS WAS A CONVENIENT DADAIST WAY TO SATIRE SERIOUS P.E. ELITISTS AND NOBODY GOT THE FUCKING JOKE. IF YOU SUPPORT BLACKHOUSE OR DOWNLOADED THIS COMPILATION YOU'RE A PIECE A SHIT THAT DESERVES TO DIE.
I'VE BEEN SAYING SINCE 2002, THAT WOLF EYES AND PRURIENT IS SELLOUT HIPSTER SHIT NOISE AND NOW THAT POINT IS INDISPUTABLE. THERE'S FUCKING COMMERCIALS ON CABLE TV FOR THE ADULT SWIM NOISE COMP, FEATURING PRURIENT, WOLF EYES, AND SOME OTHER POSERS.... THEY DISPLAYED WOLF EYES AND PRURIENT'S NAME AND ANNOUNCED IT OUT LOUD IN THIS COMMERCIAL. IT'S NOTABLE THAT NOISE AND POWER ELECTRONICS HAS REMAINED PRETTY MUCH FRINGE AND UNDERGROUND SINCE IT STARTED AND NEVER CROSSED OVER INTO THE MAINSTREAM SIGNIFICANTLY. BUT WOLF EYES AND PRURIENT HAVE SADLY CHANGED THAT. THE ADULTSWIM NOISE COMP IS BEING ADVERTISED OPENLY ON CABLE TV ALONGSIDE THE NAMES OF THE POSER SELLOUTS WHO BETRAYED THE UNDERGROUND BY APPEARING ON THIS COMPILATION. .
THE LAMES ON THIS COMP STRAIGHTUP DESERVE TO FUCKING D1E. REMEMBER THE GURGLING RASPY NOISE YOU HEAR WHEN A HEAD IS SEVERED OFF IN A REAL SNUFF FLICK? I THINK IN RESPONSE SOMEONE SHOULD DO ANOTHER TOTAL SLITTING OF THROATS EXCEPT THIS TIME USE REAL THROATS BEING SLIT AS SOUND SOURCE. THE TOTAL SLITTING OF THE THROATS OF EVERYONE WHO PARTICIPATED IN AND SUPPORTED THIS FUCKING COMPILATION.PACKAGE THE RELEASE IN THEIR DECAPITATED HEADS.
Cassette Culture is considered dead by so many people. Long forgotten are masterpieces like SEAN WOLF HILL'S TAPE WORM & BROKEN FLAG'S HATE IS OUR BELIEF COMP. MK9 needs to come out of retirement and do a Death Squad reunion show and this time pull the trigger. Instead of being remembered as another infamous tease like Full Force Frank KILL ALL THE REPTILLIANS!! Its better to take direct action on this issue and purge the underground of reptillians. Amputate them like infected limbs. Don't tolerate this shit.
When Scion started sponsoring metal and punk bands, you had a few people writing angry letters to maximum rocknroll crying about it; but zines still reviewed the shit and people in the punk and metal scene still supported these bands. And that's fucking pathetic... set an example.when Panzerfaust Records turned out to be run by a Mexican posing as a white power nazi; the guy who ran the label was assassinated.
GO FIND ALL THE LABELS AND DEALERS THAT ARE SELLING FALSE SHIT ON DISCOGS.COM AND REPORT EM AS NAZI SEXISTS, AND BUY A BUNCH OF SHIT FROM THEM USING PAYPAL AND FILE FRAUD COMPLAINTS WITH PAYPAL. IF ENOUGH PEOPLE BUY SHIT FROM EVERY DEALER SELLING FALSE NOISE AND FILE FRAUD COMPLAINTS YOU'LL SHUT DOWN THEIR LABELS. IF THEY SHOW UP FOR SHOWS, THEN SABOTAGE, DESTROY, DONT LET THEM PERFORM.SHOW UP AT A VEGAN NOISE FEST AT A COFFEE SHOP WITH A BULLDOZER AND PLAY A COVER OF THE GREATEST HANATARASHI SONG EVER! KILL ALL REPTILLIANS!
FUCK OFF AND DIE EVERYONE WHO APPEARED ON OR SUPPORTED THE ADULTSWIM.COM NOISE COMP. YOU ALL DESERVE TO FUCKING DIE AND SHOULD BE FUCKING KILLED. but that's illegal. don't do bad stuff.
DEATH TO FALSE NOISE! BUILD HARSH WALLS FROM THE CORPSES OF POSERS! DISPOSSESSION . LOSS OF VITALITY, LEADING TO THE BANALITY OF SUFFERING....HEADS OFF TO STOP THE CORRUPTION...PETRIFY LIVING THOUGHT. AGAINST LIFE. AGAINST ALL RATIONAL THOUGHT. AGAINST THE WORLD. UNEXPRESSED DARK ENCHANTMENTS OF CULTIVATED OBSCURITY SPIRITUAL VEINS SEVERED .NAIVE IMPOTENCE OF COGENITAL WEAKNESS. LOST IN THE SHADOWS OF NEGATED POINTS.
-IN TRUE CONTEMPT AND BLOOD DRENCHED SATIRE NOTHINGISTTRUE
(contact Kyle at: http://www.writeaprisoner.com/template.aspx?i=z-16534211 )
Showing posts with label noise. Show all posts
Showing posts with label noise. Show all posts
Sunday, May 14, 2017
Thursday, August 25, 2016
Apopthelema Entry 4 Part 2 by Kyle Nonneman
[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the link listed at the end of this entry.]
Apopthelema Entry 4 Part2
THE AMERICAN NOISE SCENE AND THE ATROCITY EXHIBITION:
PART TWO
((THIS IS THE WAY STEP INSIDE))
NOISEBOARD COMPUTER COWARDS KILLED CASSETTE CULTURE....
"THE ONLINE PRESENCE OF NOISE IN THE EARLY 2000S ,WAS DEFINED AMONG NORTH AMERICANS WHO DEVELOPED AN INTERMEDIATED NETWORK OF FAN CREATED WEBPAGES. THE MAJORITY OF WEBSITES ABOUT NOISE HAVE BEEN ORGANIZED AND FREQUENTED BY NORTH AMERICAN PARTICIPANTS. ALTHOUGH THERE ARE A HANDFUL OF BILINGUAL JAPAN BASED SITES,MOST ARE POSTED IN ENGLISH ONLY. EVEN BY THE EARLY 2010S,MANY WELL-KNOWN JAPANESE NOISICIANS DID NOT YET HAVE WEBSITES AND ONLY A HANDFUL OF JAPANESE LABELS
HAVE DEVELOPED WEB BASED SALES PORTALS. IN ADDITION, NOT MANY JAPANESE AUTHORS POST RECORDINGS ONLINE OR CONTRIBUTE TO DISCUSSION BOARDS ABOUT NOISE INDIVIDUAL POSTERS CAN CHOOSE TO REMAIN ANONYMOUS, CHANGE THEIR NAMES REGULARLY & LURK VOYEURISTICLY. WHEREAS THE CASSETTE CULTURE GREW THROUGH BARTER EXCHANGE OF RECORDINGS BETWEEN FELLOW PRODUCERS,NOISE'S ONLINE COMMUNITIES CONVERGED THROUGH OPEN ACCESS TO CROWD SOURCED KNOWLEDGE.INDIVIDUALS COULD PARTICIPATE IN KNOWLEDGE CONSTRUCTION IN WAYS THAT REFLECTED LITTLE OR NO STAKE IN NOISE'S COMPLEXITIES"-NOVAK
Relapse records was responsible for the Japan American Noise treaty compilation issued in the 1990s. As well as the import and distribution of various Japanoise releases with sexual themed covers.Relapse was one of the primary sources outside of the underground cassette culture that brought noise to the attention of American audiences.Relapse dropped a couple Death Metal acts in the 90s, for having no image. The bands they did this to,were acts like Rottrevore, who were attempting to do something more original beyond death,destruction lyrics and instead wrote songs about politics and social criticism.
With Relapse's primary customer base being Metalheads, its very likely they repackaged and promoted Japanoise releases in this fashion in an effort to pander to the proclivities of there primary market demographic. This market obviously carried on the torch when they were inspired by Japanoise releases to start noise side projects as a break from there day jobs in Death/Gore Grind bands.
Noise quickly became a convenient outlet for suburban death metal fans to vent their repressed sexuality and it gave them a way to go from being a fan to an actual recording artist, without the ardent work of actually learning to play an insturment. Bringing the concept of 'Scene metal' to new heights of amateurish mediocrity. This only got worse when laptops were introduced into the equation. Previously they had to at least had buy pedals and learn to chain them together in a closed feedback loop.
Then of course crossover acts like Bastard Noise came out of the california hippy love punk scene, . Bastard Noise's success is largely due to them being the only noise/faux p.e. distributed by punk/grind labels like Deep Six. Bastard Noise also focused on lyrical themes and imagery that unlike British Power Electronics were easily digestible by punk kids and deemed acceptable by the P.C scene police. They didn't do much in terms of innovation, they simply performed a safer defanged easier to swallow strain of extreme electronic music that lame punks could handle, instead of the more subversive and honest sounds of Whitehouse & Sutciffe Jugend.
Its of course ironic and fitting that one of the most active and well-known american noise acts is called Bastard Noise. Since the American Underground is largely founded more on derivative bastardization of foreign subcultures than originality.Which makes sense in the larger context of american history, since this country was stolen by immigrants who transplanted themselves here by force and are forced now to either disown and live in shame of what little cultural heritage they have or be branded a racist. A lot of them also deal with there guilt over being white and compensate for their lack of cultural roots by adopting the identity and culture of other races.
Rap music used to be a form of urban protest music for blacks to fight back against the status quo of american society. Now its just another form of bubblegum pop music and you see trailer trash inbred white dudes in prison with thug life tattoos.Think about that next time you hear Michael Gira talk about turning all the A.C. off in the venue to make it more like a Native American Sweatlodge.... Gira should make the venue more like that Great White/Whitesnake show back in the eighties where all the butt rockers burned alive .
Thursday, August 25, 2016
THE AMERICAN NOISE SCENE AND THE ATROCITY EXHIBITION:
PART TWO
((THIS IS THE WAY STEP INSIDE))
NOISEBOARD COMPUTER COWARDS KILLED CASSETTE CULTURE....
"THE ONLINE PRESENCE OF NOISE IN THE EARLY 2000S ,WAS DEFINED AMONG NORTH AMERICANS WHO DEVELOPED AN INTERMEDIATED NETWORK OF FAN CREATED WEBPAGES. THE MAJORITY OF WEBSITES ABOUT NOISE HAVE BEEN ORGANIZED AND FREQUENTED BY NORTH AMERICAN PARTICIPANTS. ALTHOUGH THERE ARE A HANDFUL OF BILINGUAL JAPAN BASED SITES,MOST ARE POSTED IN ENGLISH ONLY. EVEN BY THE EARLY 2010S,MANY WELL-KNOWN JAPANESE NOISICIANS DID NOT YET HAVE WEBSITES AND ONLY A HANDFUL OF JAPANESE LABELS
HAVE DEVELOPED WEB BASED SALES PORTALS. IN ADDITION, NOT MANY JAPANESE AUTHORS POST RECORDINGS ONLINE OR CONTRIBUTE TO DISCUSSION BOARDS ABOUT NOISE INDIVIDUAL POSTERS CAN CHOOSE TO REMAIN ANONYMOUS, CHANGE THEIR NAMES REGULARLY & LURK VOYEURISTICLY. WHEREAS THE CASSETTE CULTURE GREW THROUGH BARTER EXCHANGE OF RECORDINGS BETWEEN FELLOW PRODUCERS,NOISE'S ONLINE COMMUNITIES CONVERGED THROUGH OPEN ACCESS TO CROWD SOURCED KNOWLEDGE.INDIVIDUALS COULD PARTICIPATE IN KNOWLEDGE CONSTRUCTION IN WAYS THAT REFLECTED LITTLE OR NO STAKE IN NOISE'S COMPLEXITIES"-NOVAK
Relapse records was responsible for the Japan American Noise treaty compilation issued in the 1990s. As well as the import and distribution of various Japanoise releases with sexual themed covers.Relapse was one of the primary sources outside of the underground cassette culture that brought noise to the attention of American audiences.Relapse dropped a couple Death Metal acts in the 90s, for having no image. The bands they did this to,were acts like Rottrevore, who were attempting to do something more original beyond death,destruction lyrics and instead wrote songs about politics and social criticism.
With Relapse's primary customer base being Metalheads, its very likely they repackaged and promoted Japanoise releases in this fashion in an effort to pander to the proclivities of there primary market demographic. This market obviously carried on the torch when they were inspired by Japanoise releases to start noise side projects as a break from there day jobs in Death/Gore Grind bands.
Noise quickly became a convenient outlet for suburban death metal fans to vent their repressed sexuality and it gave them a way to go from being a fan to an actual recording artist, without the ardent work of actually learning to play an insturment. Bringing the concept of 'Scene metal' to new heights of amateurish mediocrity. This only got worse when laptops were introduced into the equation. Previously they had to at least had buy pedals and learn to chain them together in a closed feedback loop.
Then of course crossover acts like Bastard Noise came out of the california hippy love punk scene, . Bastard Noise's success is largely due to them being the only noise/faux p.e. distributed by punk/grind labels like Deep Six. Bastard Noise also focused on lyrical themes and imagery that unlike British Power Electronics were easily digestible by punk kids and deemed acceptable by the P.C scene police. They didn't do much in terms of innovation, they simply performed a safer defanged easier to swallow strain of extreme electronic music that lame punks could handle, instead of the more subversive and honest sounds of Whitehouse & Sutciffe Jugend.
Its of course ironic and fitting that one of the most active and well-known american noise acts is called Bastard Noise. Since the American Underground is largely founded more on derivative bastardization of foreign subcultures than originality.Which makes sense in the larger context of american history, since this country was stolen by immigrants who transplanted themselves here by force and are forced now to either disown and live in shame of what little cultural heritage they have or be branded a racist. A lot of them also deal with there guilt over being white and compensate for their lack of cultural roots by adopting the identity and culture of other races.
Rap music used to be a form of urban protest music for blacks to fight back against the status quo of american society. Now its just another form of bubblegum pop music and you see trailer trash inbred white dudes in prison with thug life tattoos.Think about that next time you hear Michael Gira talk about turning all the A.C. off in the venue to make it more like a Native American Sweatlodge.... Gira should make the venue more like that Great White/Whitesnake show back in the eighties where all the butt rockers burned alive .
Sunday, August 14, 2016
Apopthelema Entry 4 Part 1 by Kyle Nonneman
Apopthelema Entry 4 Part 1 by Kyle Nonneman
[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the link listed at the end of this entry.]
Apopthelema Entry 4 Part1
THE AMERICAN NOISE SCENE AND THE ATROCITY EXHIBITION: PART ONE
(THIS IS THE WAY STEP INSIDE....)
FIRST HERE'S A WORD FROM OUR SPONSORS:
"IN BATAILLE'S MYTHOLOGY,THE ECSTASY OF THE TORTURE VICTIM LENT WEIGHT TO THE ECSTASY OF THE GREAT SADISTS GILLES DE RAIS,ERZSEBET BATHORY DE NASSADY,DONA CATALINA DE LOS RIOS OR AGAIN TO THE MAN WHO WANTED TO SEE THE TORTURED BODIES OF WHICH PLATO SPEAKS, TO THE ITHYPHALLIC FLAGELLATORS OF CHRIST"-J.M. LO DUCA
*
"THIS URGE,WHAT IT COMES DOWN TO IS, "WHAT IS THE BODY?
IN WESTERN CULTURE,PEOPLE ARE SO BODY CONSCIOUS THEY DONT KNOW THEY ARE LIVING IN IT. THE ONLY TIME YOU CAN START TO FIGURE THAT OUT IS WHEN YOU START PIERCING,TATTOOING ,PLAYING WITH IT, MODIFYING IT. THAT IS THE ONLY TIME YOU FIND OUT WHO YOU ARE.THAT SHORT INSTANT WHEN THE NEEDLE IS GOING THROUGH YOUR FLESH,YOU MAY HAVE A REALIZATION OF WHO YOU ARE. THE NEEDLE IS GOING THROUGH MY BODY BUT ITS NOT GOING THROUGH ME. SO IT DOESNT HURT.
[...] WE ARE AT THE LOWEST STATE OF CONSCIOUSNESS THERE IS. EVEN ANIMALS HAVE A HIGHER STATE OF CONSCIOUSNESS THAN MOST OF THESE PEOPLE RUNNING AROUND IN THREE PIECE SUITS.
THE POINT IS,THE IDEA OF MORTALITY AND IMMORTALITY IS ALL MESSED UP AND IS VERY UNREAL. IT ALL STARTED WITH ST.PAUL AND THE PERVERSION OF THE TEACHINGS OF CHRIST."-FAKIR MUSAFAR
**
"In a 1994 essay, published in the underground music magazine G-Modern,Mikawa Toshiji of Incapacitants criticized overseas comps for creating & enforcing the categories of Japanoise. Mikawa argued that japanese noise was presented to foreign audiences as a landscape of radical incommensurability, which forced Noisicians to define themselves against an Orientalist projection.
His examples are the covers of Extreme Music From Japan, Land of the Rising Noise, and Come Again II,. Many of the Japanese performers on these compilations were frustrated and disturbed by the artwork chosen to represent the Japanese Noise scene. Shocking images of sexual bondage and physical violence were used on the covers of several early recordings by Japanese Noise artists in the 1980s. Primarily Merzbow. Most famously on his Music for Bondage Performance cd. Associations with deviant sex quickly became an important part of overseas knowledge about Japanese Noise. Especially in the 1990s, as hentai filtered into underground media circulation such as the Urutsukidoji series.
Noise Artists North America began to use images inspired by Merzbow,often borrowing from Japnese pornography {..}
"japanoise became a mirror ball of distorted perspectives that could only reflect the projections of an outsider back into their own view"-Novak
*
"It wouldn't be totally irrelevant to say that the bias that is preoccupying the producers is encapsulated in these images. That Noise should remind us of some sort of torture;and then that being exposed to these sounds transforms torture into pleasure-and then that idea is related to these images that evoke torture victims; then it goes without saying that beyond the diversity of the works included the images add a framework to these compilations which takes power over the minds of their buyers. This distorted perception of Noise was mapped onto its creative sources as Japanese artists were forced to define themselves in relation to a Japanese noise scene. then changed their work to avoid being categorized under those terms.
Regardless of whetber one accepts these visual choices or is disgusted by them, the use of these images has affected the minds of the individual artists on these albums.{..} so now what has been represented as japanese noise at first by exaggeration based on the lack of sufficent information in the early period,then labeled with attributes that summarized the group from the distant perspective of overseas reception and then represented by the glut of information in later periods-is forced to define itself"
Sunday, August 14, 2016
THE AMERICAN NOISE SCENE AND THE ATROCITY EXHIBITION: PART ONE
(THIS IS THE WAY STEP INSIDE....)
FIRST HERE'S A WORD FROM OUR SPONSORS:
"IN BATAILLE'S MYTHOLOGY,THE ECSTASY OF THE TORTURE VICTIM LENT WEIGHT TO THE ECSTASY OF THE GREAT SADISTS GILLES DE RAIS,ERZSEBET BATHORY DE NASSADY,DONA CATALINA DE LOS RIOS OR AGAIN TO THE MAN WHO WANTED TO SEE THE TORTURED BODIES OF WHICH PLATO SPEAKS, TO THE ITHYPHALLIC FLAGELLATORS OF CHRIST"-J.M. LO DUCA
*
"THIS URGE,WHAT IT COMES DOWN TO IS, "WHAT IS THE BODY?
IN WESTERN CULTURE,PEOPLE ARE SO BODY CONSCIOUS THEY DONT KNOW THEY ARE LIVING IN IT. THE ONLY TIME YOU CAN START TO FIGURE THAT OUT IS WHEN YOU START PIERCING,TATTOOING ,PLAYING WITH IT, MODIFYING IT. THAT IS THE ONLY TIME YOU FIND OUT WHO YOU ARE.THAT SHORT INSTANT WHEN THE NEEDLE IS GOING THROUGH YOUR FLESH,YOU MAY HAVE A REALIZATION OF WHO YOU ARE. THE NEEDLE IS GOING THROUGH MY BODY BUT ITS NOT GOING THROUGH ME. SO IT DOESNT HURT.
[...] WE ARE AT THE LOWEST STATE OF CONSCIOUSNESS THERE IS. EVEN ANIMALS HAVE A HIGHER STATE OF CONSCIOUSNESS THAN MOST OF THESE PEOPLE RUNNING AROUND IN THREE PIECE SUITS.
THE POINT IS,THE IDEA OF MORTALITY AND IMMORTALITY IS ALL MESSED UP AND IS VERY UNREAL. IT ALL STARTED WITH ST.PAUL AND THE PERVERSION OF THE TEACHINGS OF CHRIST."-FAKIR MUSAFAR
**
"In a 1994 essay, published in the underground music magazine G-Modern,Mikawa Toshiji of Incapacitants criticized overseas comps for creating & enforcing the categories of Japanoise. Mikawa argued that japanese noise was presented to foreign audiences as a landscape of radical incommensurability, which forced Noisicians to define themselves against an Orientalist projection.
His examples are the covers of Extreme Music From Japan, Land of the Rising Noise, and Come Again II,. Many of the Japanese performers on these compilations were frustrated and disturbed by the artwork chosen to represent the Japanese Noise scene. Shocking images of sexual bondage and physical violence were used on the covers of several early recordings by Japanese Noise artists in the 1980s. Primarily Merzbow. Most famously on his Music for Bondage Performance cd. Associations with deviant sex quickly became an important part of overseas knowledge about Japanese Noise. Especially in the 1990s, as hentai filtered into underground media circulation such as the Urutsukidoji series.
Noise Artists North America began to use images inspired by Merzbow,often borrowing from Japnese pornography {..}
"japanoise became a mirror ball of distorted perspectives that could only reflect the projections of an outsider back into their own view"-Novak
*
"It wouldn't be totally irrelevant to say that the bias that is preoccupying the producers is encapsulated in these images. That Noise should remind us of some sort of torture;and then that being exposed to these sounds transforms torture into pleasure-and then that idea is related to these images that evoke torture victims; then it goes without saying that beyond the diversity of the works included the images add a framework to these compilations which takes power over the minds of their buyers. This distorted perception of Noise was mapped onto its creative sources as Japanese artists were forced to define themselves in relation to a Japanese noise scene. then changed their work to avoid being categorized under those terms.
Regardless of whetber one accepts these visual choices or is disgusted by them, the use of these images has affected the minds of the individual artists on these albums.{..} so now what has been represented as japanese noise at first by exaggeration based on the lack of sufficent information in the early period,then labeled with attributes that summarized the group from the distant perspective of overseas reception and then represented by the glut of information in later periods-is forced to define itself"
Sunday, May 8, 2016
Apopthelema Entry 2 Part 5 by Kyle Nonneman
Apopthelema Entry 2 Part 5 by Kyle Nonneman
Apopthelema Entry 2 Part 5
by Kyle Nonneman
ENDNOTES:
GOOD NEWS:
METHANE GAS FREEZES AND TURNS INTO METHANE ICE, THE FLOODING AND CLIMATE CHANGES THAT RESULT FROM INCREASED GLOBAL WARMING ISNT THE REAL THREAT TO HUMANITIES EXISTENCE. ITS ALSO THE POISONOUS EFFECT OF FROZEN METHANE THAWING OUT AND CAUSING EVEN GREATER DAMAGE TO THE ATMOSPHERE. SCIENTISTS ESTIMATE THE EARTH WILL BE INCAPABLE OF SUSTAINING LIFE BY 2035.
RECOMMENDED LISTENING:
KRIEG-THE BLACK HOUSE
This record is a cult classic, one of the few great american black metal records. The lyrical themes of this album are sourced from the frontman's own personal nightmares and provide more original and harrowing subject matter than the usual Satan/Death/Destruction themes. It has a fairly distinctive and unique sound to it. This harsh concept album was inspired by alot of the colder elements of postpunk and The Velvet Underground, this also features a pretty iconoclast cover of Venus In Furs. The layered and textured vocals are absolutely brutal. Krieg maintains a remorseless and extreme sound without simply replicating the scandanivian acts that set the standard. Utterly destroying most of the fumbling&pathetic attempts made by bored american crust punks to sound black.
*
AS ALWAYS, YOU CAN SEND HATE MAIL AND DEATH THREATS TO:
KYLE NONNEMAN #16534211
SRCI
777 STANTON
ONTARIO OREGON 97914
FUCK EMAIL . WRITE A LETTER.
*
"THAT MAGICAL SUMMER OF 1913,IN WHAT WAS DESTINED TO BE THE GENTLE CLIMAX OF A HALF CENTURY OF PEACE. THE LAST OF THOSE MYSTERIOUSLY GOLDEN SUMMERS BEFORE THE DREAM EXPLODED LIKE A FESTERING CORPSE IN THE BROILING SUNS OF MID JULY,AND THE MOST BELIEVING OF ALL GENERATIONS IN THE LONG HISTORY OF EUROPE TOASTED EACH OTHER WITH BEAKERS OF BLOOD AND PUS, AND THEN LIKE SURPRISED CHILDREN,SANK BACK IN THEIR MILLIONS TO FILL A CONTINENT WITH GRAVES THAT ENDED THE DREAM FOR ALL TIME"
"WHEN THE DREAMER DIES, THE DREAM DIES WITH HIM AND IT DIES FOREVER. WHAT IT LEAVES BEHIND IS ALSO FOREVER. DONT LOOK FOR CHANGE. DONT LOOK FOR ANYTHING BETTER. LOOK ONLY AT YOUR OWN MIRROR IMAGE IN EVERY OTHER HUMAN FACE AND RECOGNIZE THE DREAMLESS ANIMAL FOR WHICH THERE IS NO COMFORT AND FROM WHICH THERE CAN BE NO ESCAPE. WHAT BEGAN WITH MAN AS GOD HAS ENDED WITH ANIMAL AS MAN AND THERE'S NO WAY TO CHANGE IT NOW."
"MATTHEW,MARK,LUKE AND JOHN,ESAU AND JOB AND BAAL-THESE WERE NOT THE HOLY OR UNHOLY NAMES WE CALLED UPON.WHEN IT WASN'T WOTAN SIEGFRIED WHO SANG IN OUR BLOOD,IT WAS THE VOICE OF THE EAST,THE VOICES OF NIETZSCHE AND STEFAN GEORGE, OF LANGBEHN AND LAGARDE. THE VOICE OF HEGEL RIGHT SIDE UP,THE PHILOSOPHY OF MATERIALISM, THE VOICES OF A BLOOD BROTHERHOOD AS DIFFERENT FROM WESTERN EUROPE AS LOKI FROM CHRIST HIMSELF. NOT AGAINST EACH OTHER BUT FOR EACH OTHER,FOR ALL, FREELY FOR ALL,FREELY OBEDIENT,HELD IN TOTAL THRALL BY DEVOTION TO THE LEADER. WE HAD LEFT THE CITY,THE MERCHANT,THE PROFESSOR,THE POLITICIAN,THE BANKER,THE JEW,THE SELF PROCLAIMED VIRGIN AND HER FRAUDULENT SON KILLED AT LAST BY THE JEWS-WE HAD LEFT THEM FOREVER BEHIND AS WE SEARCHED FOR SOMETHING OLDER,SIMPLER,AND INFINITELY MORE PURE: FOR SOMETHING IN SHORT,WORTH DYING FOR,."-DALTON TRUMBO
KRIEG-THE BLACK HOUSE
This record is a cult classic, one of the few great american black metal records. The lyrical themes of this album are sourced from the frontman's own personal nightmares and provide more original and harrowing subject matter than the usual Satan/Death/Destruction themes. It has a fairly distinctive and unique sound to it. This harsh concept album was inspired by alot of the colder elements of postpunk and The Velvet Underground, this also features a pretty iconoclast cover of Venus In Furs. The layered and textured vocals are absolutely brutal. Krieg maintains a remorseless and extreme sound without simply replicating the scandanivian acts that set the standard. Utterly destroying most of the fumbling&pathetic attempts made by bored american crust punks to sound black.
*
AS ALWAYS, YOU CAN SEND HATE MAIL AND DEATH THREATS TO:
KYLE NONNEMAN #16534211
SRCI
777 STANTON
ONTARIO OREGON 97914
FUCK EMAIL . WRITE A LETTER.
*
"THAT MAGICAL SUMMER OF 1913,IN WHAT WAS DESTINED TO BE THE GENTLE CLIMAX OF A HALF CENTURY OF PEACE. THE LAST OF THOSE MYSTERIOUSLY GOLDEN SUMMERS BEFORE THE DREAM EXPLODED LIKE A FESTERING CORPSE IN THE BROILING SUNS OF MID JULY,AND THE MOST BELIEVING OF ALL GENERATIONS IN THE LONG HISTORY OF EUROPE TOASTED EACH OTHER WITH BEAKERS OF BLOOD AND PUS, AND THEN LIKE SURPRISED CHILDREN,SANK BACK IN THEIR MILLIONS TO FILL A CONTINENT WITH GRAVES THAT ENDED THE DREAM FOR ALL TIME"
"WHEN THE DREAMER DIES, THE DREAM DIES WITH HIM AND IT DIES FOREVER. WHAT IT LEAVES BEHIND IS ALSO FOREVER. DONT LOOK FOR CHANGE. DONT LOOK FOR ANYTHING BETTER. LOOK ONLY AT YOUR OWN MIRROR IMAGE IN EVERY OTHER HUMAN FACE AND RECOGNIZE THE DREAMLESS ANIMAL FOR WHICH THERE IS NO COMFORT AND FROM WHICH THERE CAN BE NO ESCAPE. WHAT BEGAN WITH MAN AS GOD HAS ENDED WITH ANIMAL AS MAN AND THERE'S NO WAY TO CHANGE IT NOW."
"MATTHEW,MARK,LUKE AND JOHN,ESAU AND JOB AND BAAL-THESE WERE NOT THE HOLY OR UNHOLY NAMES WE CALLED UPON.WHEN IT WASN'T WOTAN SIEGFRIED WHO SANG IN OUR BLOOD,IT WAS THE VOICE OF THE EAST,THE VOICES OF NIETZSCHE AND STEFAN GEORGE, OF LANGBEHN AND LAGARDE. THE VOICE OF HEGEL RIGHT SIDE UP,THE PHILOSOPHY OF MATERIALISM, THE VOICES OF A BLOOD BROTHERHOOD AS DIFFERENT FROM WESTERN EUROPE AS LOKI FROM CHRIST HIMSELF. NOT AGAINST EACH OTHER BUT FOR EACH OTHER,FOR ALL, FREELY FOR ALL,FREELY OBEDIENT,HELD IN TOTAL THRALL BY DEVOTION TO THE LEADER. WE HAD LEFT THE CITY,THE MERCHANT,THE PROFESSOR,THE POLITICIAN,THE BANKER,THE JEW,THE SELF PROCLAIMED VIRGIN AND HER FRAUDULENT SON KILLED AT LAST BY THE JEWS-WE HAD LEFT THEM FOREVER BEHIND AS WE SEARCHED FOR SOMETHING OLDER,SIMPLER,AND INFINITELY MORE PURE: FOR SOMETHING IN SHORT,WORTH DYING FOR,."-DALTON TRUMBO
Sunday, May 1, 2016
Apopthelema Entry 2 Part 4 by Kyle Nonneman
Apopthelema Entry 2 Part 4
by Kyle Nonneman
"WHY KILL TIME,WHEN YOU CAN KILL YOURSELF?"-CABARET VOLTAIRE
You can play the Crimethinc Mccarthyist witch hunt game and find links to "racist" black metal everywhere. Dimmu Borgir, one of the most well known false black metal bands beloved by the same fake assholes that buy cradle of poser filth cds, (its called cradle of filth because everything after TOTAL FUCKING DARKNESS is infantile shit.
If you need clean vocals and symphonic bullshit, then your alot like the sad old men at the nursing home who cant handle solid food anymore.) was originally on an allegedly NSBM label, No Colours.
No Colours put out the first Dimmu release, thats the same label Graveland was on before he started working with The National Alliance's record label Resistance. A lot of Metallica's early songs were directly inspired by H.P. Lovecraft, Lovecraft was a misanthropic separatist, he hated all of humanity, but he still held the belief that blacks were lower on the food chain , like beasts of burden and wrote about the horrors of miscegenation , as well as considering jews to be an exceptionally vile part of the already worthless human species. For one to simply say Lovecraft was racist is to admit to being ignorant of his philosophy of cosmicsim. He was a nihilistic misanthrope and a lot of his work dealt directly with humanity being forced into facing the fact that our existence is meaningless and were perpetually bound in ruin. Lovecraft's work was a statement against the specist conceited notion that mankind is the crown of creation, he stood up against the anthropomorphic bias and systems of denial used by lesser men to hide from the harsh realities of our disposable and inconsequential existence.
Of course if you're too fucking stupid to comprehend that, you can call him racist, and act like one of those christians that like to burn everything they dont understand.
The critics who try to dismiss Lovecraft because of his allegedly racist viewpoints, are of course completely incapable of writing anything remotely close to that level of unholy grim eloquence , let alone have the vast literary and cultural impact on the world Lovecraft does.The same goes for alot of black metal, American punks who act as detractors and protest against the themes of the scandanivan bands, dont get it anymore than S.T. Joshi does. They're immigrants and invaders afflicted with guilt and self loathing over being only a few generations removed from the terrorists who stole america . So they feel the need to make amends for the guilt they feel over there ancestors actions.Yet in doing so they adopt obvious xenophobic attitudes and label as fascist things unique to a foreign culture,simply because it dosnt fit in with their life experinces growing up in America. Alot more people in the racist underground have actually stepped up and waged direct war on the government than anarcho punks have.
I dont agree with Robert j. Mathews christian identity nonsense, but the man was fed up with the polite passive resistance of the all talk elements of the movement, and robbed alot of armored cars ,put the money back into the movement and died in a 36 hour machine gun battle with cops,u.s. marshalls and fbi agents, before they ended up burning his house down. Regardless of his misguided racism, That was more fucking hardcore than spiking a circle a/no gods no masters patch on the back of your jacket.
Peter Langan was a Transgender racist skinhead, who ended up in federal prison following the same extremist path Mathews did. American punks trying to play black metal, won't ever reach the elite level of the scandanivans that started it, nor will they ever get the recognition, they will never put out an album as good as Filosfem or Transivanian Hunger. They will always be in the shadows . So motivated by jealousy, these sore losers, instead of trying to create there own sound, would rather bitch and complain in zines in order to disarm and discredit there superiors. Im sick of fucking hearing it. If the music is about misanthropic destruction and blatantly antichristian, and its good music, I'm down. My only issue with hate crimes and racism, is the whole human race needs to be exterminated not just one part of it.
Were all a weed species that has a parasitic effect on all other sentinent life on this planet. I aint apolgising for racism, but your apolgist arguments justifying specieism are
what's truely abhorrent. How much time is spent in the punk scene calling out people who commit sexist/racist/homophobic acts against humans? Why such self centered concern for something as vile as humanity?
SPECICIDE NOT GENOCIDE.
Tuesday, March 29, 2016
Apopthelema Entry 2 Part 3 by Kyle Nonneman
Apopthelema Entry 2 Part 3
by Kyle Nonneman
"THE ONLY WAY TO REFORM PEOPLE IS TO KILL THEM"-CARL PANZRAM
When i lived in Columbia Missouri, Menschenfeind productions sponsored,booked and flyered most of the shows, as well as setup venues and later on started a record store and a radio show,.
A lot of punks who in no way whatsoever contributed constructively to the scene, and never even helped flyer a show or give a touring band a place to crash, saw it as there right to protest and claim ignorantly that Menschenfeind was a white power label and all that bullshit. This feud climaxed in us setting up a Costes House show, Costes is like two GG Allins at once , with a female Bob Flanagan, shit,piss,blood, french woman doing boxcutter genital mutilation on one side of stage , while on the other there are two naked french guys covered in shit and piss, ones fucking a raw chicken while the other guys got a saxophone up his ass.
A lot of these punk kids fled in terror.
It was too punk rock for them.....
After Menschenfeind focused on the record store and moved to st louis, that scene pretty much fucking died. Because the computer cowards who loved to bitch on the internet and call the cops on shows with bands or promoters they didn't like, didn't want to put in the fucking effort and work necessary to set up there own space and book bands. They said fuck that and kept on throwing rocks behind the scene at people actually putting in work. Every band on Panzerfaust records sucked as much shit as Permanent Ruin's drummer. It was all either that polished glossy high production value RoseTattoo / AC/DC ripoff bar rock meets shitty bonehead OI ,cuntry music.. or that Radio Rock friendly nazi hardcore that sounds like Victory/crew shit but even more cheesy and corny.
Nonetheless, when it was discovered that the guy who ran Panzerfaust records wasn't actually white, and was using the money he made off selling white power music to take sex tours in Thailand, he was assaulted and assassinated in short order. In the punk scene , its all an incestuous mass of hippy free love and equality, predicated upon good christian morals, like turn the other cheek, so when you got a shitty ripoff label or a sellout band, they don't get beat up or killed,. No you just see some pseudo intellectual teeny bopper debate club bullshit in the MRR letters section and then when the label shuts down, he sells his out of print ripoff records to the highest bidder on Viva La Vinyl.
Like the US Government in Vietnam etc. imposing there righteousness on the heathens, and the Crusades...Punks also see themselves as morally obligated to police the scene, and tell people what there supposed to think and believe, and they see it as there right to tell people what to believe. They say it's about thinking for yourself, but anybody who's an apolitical nihilist and rises above the politics, is basically cast out and spit upon. You got free will to think for your self as long as you do it inside of there tiny box , whose borders are set by those with the most subcultural scene capital. You can sit there and tell me all about the fucking horrors of fetishizing nazi imagery and why we shouldn't promote this or that band, but you still sound like a fucking redneck prattling about the evil things muslims do to justify their war. Rednecks like to fight and blow shit up and you like the controversy and the arguments. I think you should all just be fucking killed and exterminated alongside the rest of the human race.
The drummer for Permanent Ruin said he was suffering from self loathing and mental disease. I think people like him, would feel a lot better if they would just do the right thing and take their own lives. Commit suicide. I don't need some damage case closet christian like that drummer, claiming I'm inferior because i listen to Death In June. Fuck you and the human race your so obsessed with advancing and promoting. People turn apolitical and nihilistic, when they wake up and realize humanity can't be fixed and that you can't salvage mankind, the best you can do is promote the extinction of humanity, and stand up against those who still quixotically believe in the lofty ideal that we can be saved and that we can make this world a better place.
I'm not the one kicking the dead horse.
LONG LIVE DEATH!`
CHECK OUT MY BETTER HALF'S WEBSITE
WWW.RIOVANCE.COM
(more to come...)
Sunday, February 14, 2016
Apopthelema Entry 2 Part 1 by Kyle Nonneman
Apopthelema Entry 2 Part 1
by Kyle Nonneman
APOPTHELEMA
#2:(())(())(())(())(())(())(())
\PERMANENT RUIN IN THE AGE OF HORUS/
! by nothingisttrue
____________________________!
"SO SING ALONG /TO THE SUICIDE
SONG/BLOW OUT YOUR BRAINS /DO IT TODAY! "-IMPALED NAZARENE
*
"COME JOIN MY PHILOSOPHY/ABSOLUTE
MISANTHROPY"-KREATOR
*
"DARWIN EXPRESSED HIMSELF VERY
GLOOMILY ON THE FUTURE OF HUMANITY,ON THE GROUND THAT IN OUR MODERN
CIVILIZATION NATURAL SELECTION HAD NO PLAY,AND THE FITTEST DID NOT
SURVIVE."-ALFRED WALLACE
*
"FOSTERING THE GOOD FOR NOTHING AT
THE EXPENSE OF THE GOOD IS AN EXTREME CRUELTY. IT IS A DELIBERATE
STORING UP OF MISERIES FOR FUTURE GENERATIONS. THERE IS NO GREATER
CURSE TO POSTERITY THAN THAT OF BEQUEATHING THEM AN INCREASING
POPULATION OF IMBECILES"
-HERBERT
SPENCER (PRINCIPLES OF SOCIOLOGY)
*
"LISTENING TO THE COMEDIANS WHO
COMMENT ON POLITICAL,SOCIAL, AND CULTURAL ISSUES, I NOTICE MOST OF
THEIR MATERIAL REFLECTS AN UNDERLYING BELIEF THAT SOMEHOW THINGS WERE
BETTER ONCE AND THAT WITH JUST A LITTLE EFFORT WE COULD SET THEM
RIGHT AGAIN. THEY'RE LOOKING FOR SOLUTIONS,AND ROOTING FOR PARTICULAR
RESULTS, AND I THINK THAT NECESSARILY LIMITS THE TONE AND SUBSTANCE
OF WHAT THEY SAY. THEY'RE TALENTED AND FUNNY PEOPLE,BUT THEY'RE
NOTHING MORE THAN CHEERLEADERS ATTACHED TO A SPECIFIC WISHED FOR
OUTCOME. I DON'T FEEL SO CONFIDED . I FRANKLY DON'T GIVE A FUCK HOW IT
TURNS OUT IN THIS COUNTRY. OR ANYWHERE ELSE FOR THAT MATTER. I THINK
THE HUMAN GAME WAS UP A LONG TIME AGO (WHEN THE HIGH PRIESTS AND
TRADERS TOOK OVER),AND NOW WERE JUST PLAYING OUT THE STRING. AND THAT
IS OF COURSE PRECISELY WHAT I FIND SO AMUSING:THE SLOW CIRCLING OF
THE DRAIN BY A ONCE PROMISING SPECIES. AND THE SAPPY EVER DESPERATE
BELIEF IN THIS COUNTRY THAT THERE IS ACTUALLY SOME SORT OF "AMERICAN
DREAM" WHICH HAS MERELY BEEN MISPLACED."-GEORGE CARLIN
*
This columns was inspired by the
speceist pro human statements made by members of the closet christian
band Permanent Ruin, they play positive moralist dead horse kicking,
bullshit false grind/Power violence for sheep that are stupid enough
to believe humanity has a future. Every member of this band should
F.o.a.d. especially there drummer.(The vocalist for Permanent Ruin
helped get Mykel Board fired from M.R.R)
People trapped in abusive codependent
relationships, become accustomed to the abuse and perpetual
degradation. They become afraid of change, and render themselves
incapable of moving on ,through there acceptance and tolerance. These
codependent damage cases will then justify there wilful ignorance by
clinging to false hope. They will make excuse for there partners
abuse in order to justify the suffering. They will lie to themselves
and say oh if i just love them more, they'll stop beating me, oh i
can be her savior and she'll stop burning me with cigarettes and
attacking me with knives when she gets drunk....But in the end they
get drunk and violent again and one of you ends up in the hospital. I
carved Rio's name onto my cock multiple times to prove my loyalty to
her, because i was afraid to let go.
I took my ex Angie back after she beat
and tortured our infant son while i was in jail on a probation
violation, then lost custody and had her parental rights terminated
as a result of her alcoholism and her use of crystal meth to self
medicate her manic depression. The serpent devouring its tail over
and over, as emotional abuse feeds into physical abuse and we end up
developing a fetish for it, and it becomes as much a part of the
foreplay as pissing in each others mouths did. It becomes the center
of your world and you never want to move on , so you lie and pretend
it will change but it never does. On a grander scale, humanities
relationship with the world is quite similar. We know the world will
never change for the better. Life will always be hell. But we keep
pretending it will get better, and life will take a positive turn.
But it never fucking happens. But out of cowardice we refuse to kill
ourselves, for the same reasons i refused to break up with my x. So
anybody who says they have hope in the human race, is just
pathetic,scared and in denial,. Out of fear, they become wilfully
blind to the harsh realities of life and death. Choosing instead to
live as Somanabulant corpses.
"WHEN YOU'RE DROWNING, ANY HAND
WILL DO" -JAMIE DELANO
Sunday, January 17, 2016
ApopthelemaPart 4 of 6 byKyle Nonneman
by
Kyle Nonneman
ON
THE TRANSGENDER ISSUES IN THE MAINSTREAM MEDIA:
"MY
MOTTO: FUCK HOPE"-GEORGE CARLIN
in
last months playboy, Caroline Cossey is interviewed again She brings
up an interesting point :nobody ever bothered to ask jenner if she's
turned on sexually by wearing womens clothing.... those who dont
understand the difference, throw out there three piece suits, and
realize they cant get it back and end up hanging it up....
I
watched the series premier of the reality tv show they did on jenner
postop,
she
meets with a bunch of established veterans of the trans community.
They
call her out for being a privileged celebrity , that never had to
come up through the drag scene or do sex work to get by, and point
out that a dilettante tourist and neophyte that didn't deal with all
the struggles of coming out , doesn’t have the experience necessary
to accurately be a public spokesperson for the movement.
they
say she acts like a giddy teenager, and acts as if its all about
makeup and hair, so they take jenner to a Human resources center in
san francisco, to burst her privileged bubble you can see alot of
animosity and resentment expressed towards jenner by the ex sex
workers and former drag queens, that haven't had a silver spoon in
there mouths every step of the way. Really if you think about it,
this is probable why alot of the public is so accepting of Jenner,
she's post op , but shes not a veteran of the movement, she wasn't
standing in the kickline at stonewall, jenner is essentially like
those fashionable uncle tom house slaves closet racists used for show
to put on a front of liberal open mindedness. The Movement needs more
Nat Turners and less Uncle Toms....
Charles
Romalotti said that,"Once you popularize a cartoon version of
something,the cartoon version and the real thing become
indistinguishable in the eyes of the masses, which serves to
discredit the real thing as a whole".Despite the presence of
real activists on the jenner show, its still at its core just a
tabloid freakshow that puts on a mask made of philanthropic altruism
to hide the stench of sensationalist exploitation. G.L.A.D.D.
accepting Jenner as a spokesperson for there movement, is as much of
a mistake as when the battered womens movement made a spokesperson
out of Hedda Nussenbaum, the coke fiend baby killer.
Whats
next ? A golliwog puppet speaking for the nation of islam? I'm sure
the general public would approve of that. Just be your fucking self
and fuck what anybody else thinks. that's the problem with m.r.r. its
petty concern over trivial scene politics undermined its music
coverage, and instead of just discussing cool new records, and fun
interesting sounds, its all sophomoric debate club prattle from punks
trying to climb out of the mosh pit and scale the ivory tower.
fuck
politics and all the discussions of it all. more people need to read
Marco Vassi's work:
"WE
WALK AROUND WITH A GENDER FOR A GOOD DEAL OF THE TIME WHEN WE DONT
NEED TO USE IT. IF YOUR NOT ACTUALLY INVOLVED IN FUCKING,BEING MALE
OR FEMALE IS LARGELY INCIDENTAL . THAT OUR SOCIETY IS BIFURCATED
ALONG THE MALE/FEMALE LINE IS OF COURSE ONE OF THE ROUSING CRIES OF
FEMALE LIB AND GAY LIB AND ALOT OF POLITICAL MOVEMENTS. THAT IS, WHY
DO WE BE MEN AND WOMEN WHEN WE'RE NOT ENGAGED IN THE MEN /WOMEN'S
BUISNESS?"-MARCO VASSI
it
also brings to mind the perpetual victim stance walking wounded,
martyrdom of survivors who build there identity around there struggle
and survival and war stories of there sad past, and then they never
manage to move beyond that and be a whole person. like alcoholics
anonymous meeting lifers.But then again, were always constantly at
war with the world. Bob Black wrote a classic piece on this called
'Why I hate Survivors"Ed gein if you study that case, was a
trannie, told by his christian mother he was sick and evil, going to
burn in hell, all the fire and brimstone preaching meshed with his
innner shame and he became a monster . there wasn't any way to come
out and get support in the backwoods of wisconsin in the late
1940s/50s.
they
simplify what he did. he wanted to be a woman so bad, and surgery
wasn't available at that time and there was no drag scene. so he wore
vests and pants made out of lady parts, and ingested there flesh ,
all in a deranged attempt to make himself into a woman. gein's case
inspired norman bates in psycho and leatherface in texas chainsaw
massacre. countless hordes of horror films were inspired and released
as a result of those two movies. then think about all the nightmares
and shocks caused by those movies.... as well as there effect on
mainstream pop culture...
The
ignorance of christianity , and the intolerant fears of the servants
of righteousness create monsters.....
-end
part 4
ApopthelemaPart 3 of 6 byKyle Nonneman
by
Kyle Nonneman
[Note:
Because of a lack of time and resources, I'm posting these columns as
is. Please enjoy them or comment as you wish. They have not been
proof-read, so the errors that a proof-reader would catch are
included. Please don't use those errors against the writer. They
happen to us all... it's just that some have the resources to correct
them, others do not.]
RAISE
THE SYMBOLS OF SATAN IN THE GLARE OF BURNING CHURCHES:
"He resolved to stand firm against all opposition, and if gentle persuasion should not avail he would have no scruple in employing physical force. To abolish the custom of blood sacrifice,to destroy all heathen temples, and to supplant the worship of the pagan gods by preaching the gospel of christ , that was to be his life work" [..} "I am to be king in this land and i will be obeyed. I have commanded that norway shall be a Christian land, and i shall have it so,.Take christening therefore and you shall still live. Refuse and you shall surely be sacrificed in the manner i have said"[..]
"King olaf had the viking brought before hm and bade him take christening. But kIng Rand cried out at him,saying that nothing would induce him to belive in christ. He blasphemed so much that Olaf became wrothful and said that Rand should die the worst of deaths. this threat had no effect upon the blasphemer. so, he was taken and tied to a tree. A gag was set between his teeth to open his mouth,and a live adder was forced down his throat. The adder cut its way through his side,killing him with its poison. king olaf took great wealth from Rand's stronghold." [...] "He baptized all those regions and destroyed many heathen temples and established christianity far and wide."-The Christening of Norway by Robert Leighton
*
"He resolved to stand firm against all opposition, and if gentle persuasion should not avail he would have no scruple in employing physical force. To abolish the custom of blood sacrifice,to destroy all heathen temples, and to supplant the worship of the pagan gods by preaching the gospel of christ , that was to be his life work" [..} "I am to be king in this land and i will be obeyed. I have commanded that norway shall be a Christian land, and i shall have it so,.Take christening therefore and you shall still live. Refuse and you shall surely be sacrificed in the manner i have said"[..]
"King olaf had the viking brought before hm and bade him take christening. But kIng Rand cried out at him,saying that nothing would induce him to belive in christ. He blasphemed so much that Olaf became wrothful and said that Rand should die the worst of deaths. this threat had no effect upon the blasphemer. so, he was taken and tied to a tree. A gag was set between his teeth to open his mouth,and a live adder was forced down his throat. The adder cut its way through his side,killing him with its poison. king olaf took great wealth from Rand's stronghold." [...] "He baptized all those regions and destroyed many heathen temples and established christianity far and wide."-The Christening of Norway by Robert Leighton
*
Within the hardcore and crust punk scene you see alot of individuals that valorize the actions of A.I.M, Ak press has distributed and published Ward Churchill's books for a long time. As well as all the "John Wayne was a nazi," "My heroes always killed cowboys" slogans. In addition to Iron Maiden's mainstream NWOBHM classic "Run to the Hills" . But people forget that the viral taint of christianity was spread worldwide and has plagued every corner of the earth.. Christopher Columbus' hostile invasion and the small pox holocaust that helped found america, were part of a longstanding tradition carried on by hypocritical tyrants
like
King olaf. The salem witch trials,the crusades,the in6quisition, etc.
This is accredited historical fact. This continues to this day. The
catholic church is responsible for manufacturing the hiv virus and
spreading it to gays and africans. (Lookup Alan Cantwell on
google/amazon if you ignorantly think its a lone nutter conspiracy
theory.) Alan Cantwell's two books on AIDS prove explicitly that AiDS
was a man made virus created as a silent weapon to wage a quiet war
against gays and other outsiders deemed heretics and undesirable by
the church.But despite this we now have an infestation of christian
sympathizers like Jonsan van Johnson pandering to posers and
neophytes with his pedantic articles.
(shamelessnavelgazing.wordpress.com)
and false zines like Black metal of the north americas. Fuck anybody
who discusses "to what extent should the scene be policed"
All
the infamous church burnings associated with the early norweigan
scene as well as those committed by Jay scott Ballenger, were
justified. Its not about fascism. Its about resisting victimization.
Its as much an act of darwinist libertarianism as when Inez Garcia
stepped up and shot her rapist to death, and stood up with pride in
court and said she was proud of killing her rapist, and got sent to
prison because she refused to be a fucking victim. Anarchist crust
punks further there base hypocrisy by attempting to police the black
metal scene employing the same sickly conceited sense of self
righteous entitlement as the U.S government they claim to be in
rebellion against.
You
have a lot of passive cowards, that know there weak, and prefer empty
77 slogans and campy cartoon luciferianism, over the seriousness and
dedication of True Misanthropy. They adopt an ideology that
legitimizes there weakness and extolls there cowardice as virtue. You
see this ideology expressed in all the witch hunting crimethinc
mcarrthyist zine editorals about hate and fascism in black metal. If
your afraid to step the fuck up and put in work, in the war we must
wage against christianity, in order to keep our dignity and self
respect , then you need to stop pretending to be something your not ,
and stop criticizing and condemning the elite who actually give a
shit.
Like Extreme Noise Terror said : "IF YOU'RE ONLY IN IT FOR THE MUSIC THEN SOD OFF".
*
"HISTORY ,SOCIETY, AND IDEAS CAN VICTIMIZE US AND WHAT WE DO TO RESIST THE VICTIMIZATION IS THE MEASURE OF OUR WORTH"-Robert
Kirsch
(from the
introduction to Night of the Aurochs by Dalton Trumbo)
*
(FOR ALL THOSE WHO DIED)
introduction to Night of the Aurochs by Dalton Trumbo)
*
(FOR ALL THOSE WHO DIED)
-end part 3-
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