Thursday, June 20, 2019

APOPTHELEMA ENTRY 18 PART FOUR -- MRR IS DEAD!

APOPTHELEMA ENTRY 18 PART FOUR

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

"WARRIORS FROM HELL'S DOMAIN WILL BRING YOU TO YOUR DEATH!"....-SLAYER

In my previous special feature on the subject entitled "Maximum Rocknroll Fuck Off And Die" i criticized and thoroughly condemned Maximum Rocknroll.

Now M.R.R. is finally dead! Maximum Rocknroll has chosen to cease print publication. 

MRR was the only remaining independent newstand zine covering punk rock. MRR after a decades long existence became mad with power and started to essentially devour elements of the subculture it once championed and advocated.

A lot of the actions carried out by MRR in its last days were like the senseless power mad orgies of the gestapo and Mussolini's regime as depicted in films like Salo and Gestapo's Last Orgy. Only less fun...
Since MRR was primarily ran by uppity 'Mattachine Society"-esque androgonous mousy hair and glasses hipster trannys too busy being self righteously politically correct from their soap box to have any fun. 

Shooting their shots only from the safety of the MRR columns section. Not the cool 'Born to Be Cheap"/"Dead Skin Mask" trannys that have now unfortunately become an endangered species... 
Power corrupts. Like the old Megadeth song Symphony of Destruction. MRR went from being a nurturing supportive father to the scene, to a resentful abusive bitter old man spitting bile and hatred at the successful children he spawned.
Trying to politicize away the jealous self loathing incited in seeing its children exhibit free will and fly free from their control and accomplish things of greater value then they themselves did during their time.
MRR's coverage of music took a backseat to its tedious discussions of scene politics and armchair bashing of elements of the underground that didn't conform to their megalomaniacal status quo.

The M.R.R columns section became a status symbol and an exalted privileged soap box stood upon by the various angry little hipster Hitlers looked up to in awe by reverse conformist sheep . Walking in line in obedience to the standards set by the P.C. Scene Police.

Punk used to mean thinking for yourself. Then it became to many about thinking in accordance with the standards set by the current Crimethinc Mccarthyist granted a column in MRR...

Lest your band/venue or label become blacklisted by the columnists and shitworkers at MRR,  who, at the end, were essentially the Committee for Un-Punk Rock Activities.... Cashing in on the subcultural scene capitol accumulated during its bloated existence to make more power moves within the underground it sought to dominate-- like Hitler invading Poland.

Instead of tape trading and doing shit for themselves a lot of labels,bands and zines just paid the requisite fees to M.R.R to get an advertisement in their magazine or send them free review promo copies. It's like in Phantasy Star 2, the people of the planet have everything done for them by a robotic computer system known as Mother Brain. Once Mother Brain is killed off, the people have to struggle and work harder doing everything for themselves.But they become stronger free thinking individuals as a result.

MRR had columnists requesting people email them to report individuals within the scene that were unworthy.They started campaigning to have diy independent sellers and labels banned from Discogs.com for selling work by artists they didn't approve of. Towards the end went so far as to start a campaign to boycott Gilman Street. 

I lost any fucking respect i had left for the punk, crust and hardcore scene after seeing the actions perpetuated by the sewage workers at that zine and how many people in the scene proved themselves to be hypocritical posers and peer pressure zombies by refusing to call MRR on their bullshit. I'm glad it's fucking dead. 

The zine opened the doors for a lot of people. It was an introduction to the cult for many. But now its fucking dead and we need to move the fuck on and do it ourselves and quit mourning the loss of a totalitarian party organ that tried to control our lives and dictate our actions as individuals.

The only valid reason to look back upon MRR's corpse is to desecrate it and mutilate it.

HATE IS OUR BELIEF!
FUCK YOUR SCENE!
HAIL SATAN!
WE SPIT ON YOUR GRAVES!

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You can contact Kyle at:
 Kyle Nonneman
 #16534211
Osci
3405 Deerpark Dr SE
Salem OR 97310

And here's some more art from Kyle:
You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

Friday, June 7, 2019

APOPTHELEMA ENTRY 18 PART THREE more reviews

APOPTHELEMA ENTRY 18 PART THREE

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]


GAYLORD - THE BLACK METAL SCENE NEEDS TO BE DESTROYED

I wouldn't be surprised if the assholes in this band didn't rock Shelter backpatches and trade degrading sexual favors for rare Revelation records test presses...Dead Kennedys performed Nazi Punks Fuck Off live onstage. Back when you still had a lot of skinheads at shows. Jello said it in their face. Slapshot didn't hide behind a computer or an anonymous joke band. Same thing when Minor Threat came out with straight edge and criticized the drug wrecked party punks. They performed it live in your face. So they became anthems and forces of change within the underground. 

This band will never perform live.All the song titles on this ep are death threats against metalheads or shit like "Varg Impaled". This is either a trolling joke band ripping off Anal Cunt or some cowardly punks trying to copy Slapshot... Either way its a useless release saying nothing of value. Weak minded lesser men trying feebly to drag down their superiors. This band wont play this shit live or come out and show their true faces. In prison you have a subhuman class of inmate known as a cell warrior. Cell warriors are child molesters and rats that hide in the hole behind inch thick steel doors. Safe behind steel doors they yell insulting and disrespectful comments and empty threats to the active violent gang members to incite a reaction out of boredom. But they'll never come out of their cell and say it to their faces. This band and the people that support this shit are essentially just cell warriors. And just as pathetic. Adopting the tactics of cage crazy pedophiles hiding in shame to condemn and mock a movement superior and more valuable then the worthless lives of its detractors. . Fuck off and die.

*

XASTHUR - NIGHTMARES AT DAWN
I listened to Xasthur alot when i was drinking heavily. It goes good with alcoholism... Sober Xasthur loses a lot of its charm... Stylism over substance at its overrated best....Most of this record is just distorted X-Mal Deutschland ripoff bullshit atop poor man's Abruptum vocals mashed up with some shitty attempts at Mutillation. Degenerate Uprising has a sludgy funeral doom thing going on with some low end gurgling vocals like a rawer Nortt with Demillich vocals. Probably the best track on here. 

Degenerate Uprising is followed by a cover of Black Sabbath's A National Acrobat. He gets the tuning fairly correct. (C#,G#,C#,F#,A#,D#) The main riff is played fairly accurately. The riff is slightly blackened and it sounds pretty cool. But Xasthur doesn't even play the 2nd riff of the song, the wah pedal/hammer ons played underneath the verse 3&4 riff. It ends with a bass riff and doesn't break into a solo, stopping cold. It feels empty and half-assed without a solo. Not to mention the other 3 riffs besides the main riff Xasthur neglects to play.

Iommi's mysteriously twisted solo on National Acrobat is one of his best and like TNT hasn't been transcribed. I doubt Xasthur can shred anyway. Its an obscure Sabbath track and to the best of my knowledge, there's no official tablature or notation for the Sabbath Bloody Sabbath album. Its funny how many people incorrectly compare doom metal to early Sabbath when Iommi didn't start the majority of his down tuning until the 4th album... Listen to Avulsed's Neon Knights, Belphegor's Sabbath Bloody Sabbath, Brutality's Electric Funeral, or Brutal Truth's Lord Of This World if you want to hear extreme metal covers of Sabbath... Xasthur's work is as always hit and miss , full of stylistic inconsistencies and failed experiments. With most Xasthur work there's usually a few good compositions scattered throughout a lot of weak shit. I pretty much just bought this because i was curious to hear how badly he mutilated Sabbath.. Same unfortunate morbid curiosity that keeps Six Feet Under in business.

Waste of money....

*

KRISTALLNACHT - BLOODDRENCHED MEMORIAL 1994 - 2002 
Kristallnacht is one of the greatest black metal bands. Endless blastbeats and indecipherable hypnotic tremolo patterns with very few distinguishable riffs. With a raw and brittle production that sounds like hell. With a fierce and powerfully inspired vocalist. This is uncompromisingly Lofi committed true black metal. Harsh and abrasive as fuck. Atonal dissonant minimalism. You can fuck off and die if your looking for anything melodic. 
Most of this has the fumbling violence and black noise depravity of cassette rehearsal demos. There's nothing technical about this band. Just a blasting hellish assault of misanthropic black metal.

This is one of my favorite black metal bands and this is an essential document of their work...
====================================
You can contact Kyle at:
 Kyle Nonneman
 #16534211
Osci
3405 Deerpark Dr SE
Salem OR 97310

And here's some more art from Kyle:
You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com