Saturday, November 25, 2017

Apopthelema Entry 9 Part 7 by Kyle Nonneman

Apopthelema Entry 9 Part 7 by Kyle Nonneman

NOTE: PARTS 2-4 ARE MISSING FROM THE MESSAGES


by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

WHAT IS A JUGGALLO AND WHY THEY SHOULD ALL BE EXTERMINATED :
Remember that movie Vulgar? That needs to be done on large scale.

If you watch the last Decline Of Western Civilization film, part 3. 

Those drunk gutter punks have at least a tangible connection to classic punk rock and respect their roots. They had some philosophy and ideology to a certain extent .Currently most gutter punks have been made obsolete by Juggallos and most of them are now Juggallos. A lot of trailer trash mullet rocking tweakers have also become Juggallos. Instead of listening to trashy southern rock and arse metal, they have severed any connection with rock & metal and adopted the Juggallo lifestyle.

In addition you have hordes of wiggers that are too pathetic and worthless to be initiated into a legitimate street gang and they want to be hood & gangsta and all that bullshit Mtv&Bet tells them is in fashion. Because they hate themselves & this is how you find an identity if you're human garbage. They would get killed trying to become a Crip or a Blood. So because they can't be the real thing, they become a Juggallo. Being a Juggallo allows wiggers to be gangsters without getting jumped in or having to put in work. Similar to how the internet enables posers too lazy to be good traders.

In prison a lot of the Juggallos you see are gang dropouts, smashed out of more violent established gangs. They claim juggalo to become part of something to stay in a group. A significant number of prison juggallos are typically pedophiles in prison for sick sex crimes involving children, no grey area statutory shit either. They band together for group protection by claiming juggalo. Most of em still end up shanked and live in protective custody after that.

The leaders of Insane Clown Posse came out and said all their music was about doing violence and harm against evil sinful people and being a warrior of god. Vigilante Justice for those who don't follow the Lords way. Especially with a hatchet. They believe in using a hatchet to slice up non believers. This is the rationalization they give for their cartoon juvenile shocks for shocks sake lyrics. An urban wigger Knights Templar....

Insane Clown Posse managed to take homeless drug addict gutter punks, inbred vermin trailer trash mullet rockers, mall goth hot topic posers,wiggers, southern fried pedophiles and prison gang dropouts and mold them together into a cohesive christian based subculture. 

Icp has weaponized a cross section of the most incorrigible stupid and worthless types of human beings on this heathen earth. Some ignorant posers grow up, get legit start decent bands, contribute to the underground. But now posers typically just become Juggallos because this base ignorance and incorrigible stupidity are celebrated. The idiocratic doctrine of the juggallo culture extols as virtues their mistakes,failures and shortcomings. Plus they all see themselves as christian soldiers chopping up non believers with a hatchet. Most people in the underground are uninformed as to how vile and pathetic juggallos are. They know its bad but most are unaware of how bad.... 

When i was a speedfreak i used to buy meth from a guy who knew Jay Bruce in the early 1990s and he was one of the main OG Juggallo shot callers in Portland. He laid it all out to me and he didn't like it but due to his connection with Bruce before he called himself Violent J and started ICP he had connections and status. In high school he'd be smoking weed and listening to Twisted Sister and Bruce would show up, a spazzy melvin fat kid all beat the fuck up for trying to rap with the black ghetto kids. Curtis felt sorry for how pathetic he was... 

In the late 2000's after ICP came out as christians and declared themselves a xian rap group, labels like SKR started coming up in New Mexico and Denver. Putting out aggressively over the top HorrorCore/Gore Hop records intended to disassociate themselves completely from the false xian Juggallo scene SKR'S concentrated guerrilla war attempt to reclaim and reinvent a genre of pop music thats been so completely coopted by christians and assimilated so deeply into lamestream pop culture,while obviously frivolous took a lot of dedication. Listen to: 

SICKTANICK FOR THE BEAST
SICKTANICK UNHOLY EXECUTION
RAZAKEL NIGHT OF MORDUM 
SCUM SOUNDZ OF PAIN
TROUBLED MINDZ UNHOLY MINISTRY

Those are good sample sources for grind 7-inches and their great novelty joke songs to spice up boring mixtapes. Those 5 cuts are as gory as the most vile pornogrind out there and as satanic Richard Ramirez on pcp. Rap still sucks and always will but it's still interesting how they chose to quixotically wage war on Juggallos using their own tools against them. 

Cult masters of goregrind VOMITED ABORTION made a series of classic collage music videos using Juggallo home videos and backstage ICP footage everyone should seek out. BECAUSE ALL JUGGALLOS NEED TO DIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
-end part 6-

Vengeance Rising


 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

--end part 7-

Monday, November 20, 2017

Apopthelema Entry 9 Part 6 by Kyle Nonneman

Apopthelema Entry 9 Part 6 by Kyle Nonneman

NOTE: PARTS 2-4 ARE MISSING FROM THE MESSAGES


by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

SOUTHERN LORD DESECRATION: (BURNING THEE CHURCH OF THEE OVERLORDS) 
Stephen O'malley came out of the Post grunge scene in Seattle to form Burning Witch whose work was one of the only slow bands on Slap A Ham-- besides Noothgrush. Chris Dodge advertised it as "Molasseses-core." Burning Witch carried on the torch from old school traditional acts like Saint Vitus , adding the crushing sludge elements you heard from Grief and in the breakdowns to alot of the acts Slap A Ham was putting out. And keeping the Sabbath Live at Asbury Park-esque vocals semi traditional. The Burning Witch record on Slap a Ham was underrated because a lot of people buying Slap A Ham's vinyl releases were focused on grind/power violence/fastcore.

After Burning Witch's demise O'malley put out a zine focused on noise largely of the hipster/Load records/Wolf Eyes variety. Sunn O)) started as an Earth cover band and became its own entity. 

Me and James Downing opened a fest in 2003 with a collaboration set. Sunn O)) was on the bill for that fest , along with Oscillating Innards and Daniel Menche. Sunn O)) was the only band performing at that fest not using controlled feedback setups/modular analog synths arrays or custom made electronics equipment. The sounds they produced weren't very impressive, especially when trying to follow Daniel Menche. It was weak and not very interesting. The day after the fest was the infamous basement house show where i followed Sleeping with the Earth's set by blowing out the pa and causing his neighbors to call the cops, ending the show before any of the touring bands got to play, but one of the touring bands was impressed and gave me a deal to get my Ruby Ridge Ep released on their label. 

After that fest performance Sunn O)) dropped out of the noise and metal scene entirely , playing to art gallery crowds and shit like that. Sunn O))) inspired a lot of dropouts from the underground or rejected failures to start putting out hipster art house experimental nonsense. Noodling mathcore Neurosis worship, jerkoff bullshit shoegazing indie rock and shit like that isn't fucking experimental. Sugarcoating something that was once brutal and harsh with quirky novelty elements isn't experimental. That type of shit became popular because you have a lot of christian sympathizer emo kids that cut their teeth on major label indie rock and Radiohead that feel they're too mature for true metal or their scared of the extreme abrasive nature of true underground extreme music.

Or their inner christian causes them to reject the values and ideology of true metal. But they still want to be part of something and listen to underground music, but nothing too heavy.... Nothing too scary.... Keep it family friendly..... 

The internet and acts like Wolves in the Throne Room,My Bloody Valentine,Lightning Bolt and Sunn O))) help start this pathetic trend that was further carried on by Justin Broadrick's post Godflesh work, Jesu. Godflesh to me was overrated. A lot of it's largely just Broadrick reverse engineering a more metalhead friendly drum machine adaptation of early Swans.

I wouldnt give a shit so much if these pathetic posers didnt insist on acting like this shit was innovative or experimental. To be an experimental musician means to push the boundaries of established aesthetic expression in transgressively iconoclast directions that challenge the accepted genre labels. Sunn O)) is decent work but Sunn doesn't bring anything new to the table. I did a split with The Rita in 2002 before HNW became so fucking fashionable&accessible. 

The Rita is a master at it unlike all the posers that followed it. 

Like most HNW you can cover any Sunn O)) song with a DoD grundge and a Dod Meatbox in a loop. Two pedals. You want to top what Sunn does just contact mic a broken air conditioner into a Mxr blue box and a Hm-2 , and turn up the reverb on your amp... You can also cover Sunn by just holding down the first key on a synth and twiddling the filter section. Sunn O)) is good easy listening relaxation music to numb your brain but as far as it being innovative experimental music that's bullshit.

People active within the underground need to stop playing Mccarthyist witch hunter games and being P.c. Scene police and focus instead on more relevant endeavors like calling out and purging this type of weak shit from the underground instead of elevating it to a position of subcultural authority. A lot of sycophant cunts trying to make a name for themselves back in the day tried to get on O'malley's good side so they could get printed in his zine. Now days you see that scene he helped start become a shelter and a refuge for false weak uninspired hackwork shit out by grown up Radiohead fans and reformed high school Emo Kids trying to get serious for college radio.... Before the internet became so mainstream these posers would just graduate from Radiohead to Tool....Now they listen to shit like Ulver and Opeth.

-end part 6-

Vengeance Rising


 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

Monday, November 13, 2017

Apopthelema Entry 9 Part 5 by Kyle Nonneman

Apopthelema Entry 9 Part 5 by Kyle Nonneman

NOTE: PARTS 2-4 ARE MISSING FROM THE MESSAGES


by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

If you lookup Mortification's discography and look at the compilation appearances, Mortification is on the Nuclear Blast Showdown Spring 2010 comp,and take the time to look at who else appears on that comp....Then take note of the fact that Mortification is also on a comp called CHRISTIAN MUSICS NUMBER ONE CHARTING ROCK HITS VOLUME 2. a Rez tribute comp! 

You see all this witch hunting over allegedly fascist bands and Faust being a homophobe.. But nothing is said at all about the strong christian presence thats accepted within the scene. Without question. Slayer & Kreator etc are now labelmates with xian acts... Al ot of the top old school labels still in existence that are still successful have been essentially taken over by xians and posers. Victory becoming a xian label is a running joke to metalheads, but now they're going after metal labels.Making power moves.... They got Nuclear Blast... Roadrunner.. etc. Who's next ?


Look at how many formerly legit acts sold out to Toyota Scion to get their shit out their. The catholic church has a lot of money.... Find a few labels going broke run by dudes looking for a cash bailout so they don't get blacklisted by the Kvlt as bad trader ripoffs....

NSBM is marginalized,fringe and ostracized to a great extent. But openly Xian acts are on the same labels as Slayer and Kreator... Thats fucked up. Kreator's Endless Pain and Pleasure To Kill are top tier classics.Equal if not superior to Reign in Blood & Ride the Lightning. Kreator kills most of the "Big Fours" work. Kreator kept their metal more consistently true than any of the "Big Four". Kreator also does the best cover of Number of the Beast ever.

I grew up on thrash after i quit listening to so much hard rock/proto metal.I saw Ac/Dc during the Ballbreaker tour in 93/94,shortly after i saw Ted Nugent at the state fair, with Bad Company opening and i'v also seen Kansas live.... All before i even turned 11 years old..... I grew up in rural Wisconsin in the early 90s .Surrounded by my tweaker step mom and all her friends who were all Straight white trash alcoholic mullet rocker meth heads. My step mom was heavy into classic rock, her friends were more into the southern rock, Jackyl, GnR, shit. 
Straight fucking Gummo! 

Thats the hell i came up in. .Countdown to Extinction was the first thrash album i owned,.Metal was my escape from all the abuse So its sad to me to see Kreator on a label run by xian sympathizers. Christian music stands in complete opposition to everything True Metal stands for. It's the definition of false. It's designed for propaganda purposes to insidiously infiltrate itself into the healthy organism of the metal underground and infect it like a virus. Why is so little being done to stop this infection from spreading? 

Nsbm is about death,destruction,killing people,genocide,total war. Choosing to come out and label yourself as an openly Nsbm act usually means you're fucking committed to your message and sincere about your beliefs because you're choosing to do the polar opposite of selling out. Theirs a lot of solidarity between the themes of Nsbm and the ideology of misanthropic black metal.

I believe all of humanity is worthless and should be exterminated , no master race, no hope,no future . The only fault i find in Nsbm is they don't want to simply kill off the entire human race and think some portion of it can be saved and all that shit.

Nsbm has a little too much hope & optimisim in it. Also you see all these bands talking about burning churches and killing christians but how many bands are stepping up and standing against ALL religions? Satanic Warmaster did it. Satanic Warmaster fucking rules. Get their split with Behexen....Satan is the opposer and to be in true opposition you need to stand against all that is holy without remorse. Not simply omit any criticisms of other religions because your fucking scared of the p.c. scene police tagging you as a Nsbm, and if they do, so what, a follower of christ is always worse than a nazi. 

AND GRAVELAND FUCKING RULES!!! After i got taken by Child protective services when i was like 11 or 12, cuz my dad was beating me and my stepmom was too spun out to give a fuck.. They put me in St Ameilians boys home. They used to beat and fuck all the kids in the ass that were weak and didn't fight back. They had mandatory bible study, and the place was run by catholics.I used to have to fight hard to not get fucked in the ass and i had to smuggle in heavy metal/thrash tapes after family visits because they were contraband . Google ST AMELIANS MILWAUKEE. 

Those tapes gave me the strength to get through that hell. I remember reading Spawn comics & watching Hellraiser 2 as a kid and wanting to go to Hell. Hell looked pretty fucking cool to me compared to the Gummo shithole i had to endure.

I wanted to "Enter the Eternal Fire".

.... So i've personally experienced what religion is all about. I hate christians!
-end part 5-

Vengeance Rising


 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

Sunday, November 12, 2017

Apopthelema Entry 9 Part 1 by Kyle Nonneman

Apopthelema Entry 9 Part 1 by Kyle Nonneman


by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

ANTICHILDLEAGUE-HOLY SPIRIT/HOLY GHOST
Both these albums are top tier. AntichildLeague combines shifting layers of loops into dissonant textured soundscapes that mix elements of Death Industrial,Power Electronics Noise,Brian Reitzell soundtracks and Die Form's Some experiences with shock, Into cohesive sound sculptures..Holy Spirit alternates masterfully between abusive collage instrumentals and more traditional power electronics. Combining somber and hypnotic pieces with harsher more abrasive actions.
     A lot of thought and skill was put into assembling these pieces.Cracked Lips has an awesome beat that sounds like a Mindphaser Ghost Rider. The pieces with vocals sound like Intrinsic Action&Haus Arafna with a Scorpion Violente' -esque menace layered atop buried 'Seconds too Late' Sheffield grooves. 'I Hate You' has a nice aggressive Sektion B sound to it. It has some of the forgotten elements of Cloister Crime as well.Iv heard a lot of Power Electronics & i worship early SPK.
     These two records combined are masterpieces. You can't simply classify this as Power Electronics or Death Industrial.. Its more evolved, intricate and intelligent than the majority of work being tagged with those labels and this more then anything else iv heard recently invokes the spirit,sound and inventiveness of the first wave of industrial: Factrix,T.G, SPK,Broken Flag,Kondukter, before there was a name for it back when it was unclassifiable,obscure, esoteric insanity existing in the transgressive fringes of the underground, not the dance floor. 
     Uncompromisingly original & innovative. Not a retro pastiche. This is essential 
*
GNAW THEIR TOUNGES-HYMNS FOR THE BROKEN,SWOLLEN,AND SILENT
Iv followed Gnaw for awhile and own most of their releases. 
            The Collected Atrocities period work was a sprawling psychotic cutup collage of Cold Meat Death Industrial, Somanabulant Corpse Dark Ambient, Abyssic Hate, and deep nods to Horror soundtracks fleshed out with alot of heavily processed guitar work breaking down into a gray area between Sigh, Abruptum and Khost. Various levels of evil vocals throughout. Abyss of Longing Throats, was a more cohesive attack,distilling the most potent and evil elements of his earlier work into a more structured and articulated assault on the listener.Less droning more surgical abuse. But it still remained as hauntingly atmospheric and epic as the earlier work.The Dragged Into Sunlight/Gnaw Their Tounges collab was a sick masterpiece of chaotic sadistic experimental blackened death, like Scar Sighted period Leviathan crossed with Discordance Axis. 
        Then there's this Gnaw Their Tounges full length.This is very subpar in comparison. Most of Hymns sound like warped Drum Machine Grind 7" played on a broken turntable through cheap pedals . Like an ambient Ganglia....The samples are nowhere near as powerful and carefully curated as the collab with Dragged Into Sunlight With Hymns you get Laptop Blood Axis, Download remixing Xasthur. and a poor man's Full of Hell/The Body but instead of Chip King's horrible vocals you get some evil depraved blackened gore depravity.
       (Get a new vocalist Lee! Chip sucks! You could contact mic a dude raping a cat and it would sound better than Chip!)
      When you compare this to what he accomplished on other releases, it sounds as fucking lazy as Chip Kings vocals. Gnaw could have put in slightly more effort and beat on some scrap metal..Pretty much anythings better than jerking off with Fruity Loops . Fruity Loops is responsible for so much generic hackwork that its pretty much a malware virus with real world consequences.
     There's a lot worse shit out there like Prurient . Its a decent full length for what it is but your haunted too much by what it could have been. 'Your Kingdom shrouded in Blood" is a beautifully cold dark ambient piece with minimalist martial industrial elements and disturbing tormented vocals mixed into it perfectly.. But its followed unfortunately by some Drum machine grind noisecore gabber glitch bullshit...
     This is some pretty weak shit. Considering what Gnaw has proven himself capable of on Abyss of Longing Throats. Especially the title track to Abyss!.... You're better off just buying Abyss or if you already own it, then get some Sutekh Hexen.

-end part 1-
 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

Wednesday, November 8, 2017

APOTHELEMA SPECIAL FEATURE: MAXIMUM ROCKNROLL FUCK OFF AND DIE: MRR IS THE NEW PMRC!

Apopthelema SPECIAL FEATURE  by Kyle Nonneman

MAXIMUM ROCKNROLL FUCK OFF AND DIE: MRR IS THE NEW PMRC!

by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

"MAY THE THICK WALLS OF THE OCCULT COLLAPSE ONCE AND FOR ALL ON THESE IMPOTENT TALKERS WHO WASTE THEIR LIVES IN REBUKES AND EMPTY THREATS ,ON THESE REVOLUTIONARIES WHO REVOLUTIONIZE NOTHING"-ARTAUD

8===D~~

!PeaCe Punks FuCk 0FF!
"AN 'UP YOURS'! TO ALL THE OTHER KINDS OF MUSIC, LIKE PUNK THAT HAD GOT IN THE WAY.&AN 'UP YOURS'! TO ALL THE PEOPLE THAT TOLD US TO CUT OUR HAIR OR TRY & GO PUNK!"-STEVE HARRIS 
*

MRR pisses on Tim Yo's grave so fucking much they might as well keep his skull in the toilet.

MRR is slowing eating it self and devouring its own young. MRR started out by having a new generation of punks fire off all the remnants of the old guard that didn't confirm to their new world order..Drunk with power they have now gone from firing their best columnists to targeting cherished institutions of the scene they helped create.

Currently Maximum Rocknroll staff have decided to start a boycott against Gilman Street. The famous long running DIY venue they helped fucking start in the 1980s.. There's a shortage of stable spaces to do shows and 
DIY spaces get shut down by cops. MRR doesn't give a fuck about that. They would rather there not be a space to do shows at all if their going to allow bands that don't confirm with their P.C scene police agenda. 

Their was a column in MRR where the MRR staff member listed their fucking email address and told people to report anybody in the scene with bad criminal records or history of fascist activity...! 
Keeping the punk scene pure using the same methods Joe Mccarthy&J. Edgar Hoover used to keep Amerika safe!
MRR's existence is a plague upon the underground. A lot of punks will try and get in that zine with the same sycophantic methods as hacks trying to get on a major label. Changing their sound,message and image just to get recognition from MRR. 

They have become the very thing they used to stand against!
MRR has become anti diy.

Instead of putting in the work necessary to get your label out there. lazy motherfuckers just put ads in 
MRR.

Instead of drawing their own conclusions and thinking for themselves a lot of punks will just follow the MRR partyline like a sheep.

MRR's massive distribution has resulted in MRR setting the status quo most of the punk scene follows blindly like lemmings. If you challenge their authority, you get blacklisted.
Trust called out MRR on their p.c. bullshit in a review & now MRR no longer reviews Trust in their zine. 

MRR controls the punk scene like the Ku Klux Klan controlled the south..

MRR is now making power moves to try and use their authority to police everything. 

MRR started having their sheep petition Discogs.com to ban sellers and artists they didn't approve of .
Why not return the favor? 86 every peace punk,crusty hippy, anti fa, you see at a metal show. You see a punk in the pit , help them trip and get trampled. 

They hate us . 

They want to stop us.They're as much of an enemy as the christers are.

A lot of individuals within the metal scene have nostalgic fondness for punk and hardcore. Having grown up on it before moving onto metal.But that era of punk and hardcore is pretty much fucking dead.
Now you have a malignant mass of seething politically correct idealist hypocrites that don't give a fuck about music and would rather sit around and debate politics than shred. 

The majority of the content of MRR is all politics. You read a metal zine, they're talking about the lyrics,production,influences,equipment used, etc

There's none of that in MRR. Because they don't give a fuck about the music. Its just angry little hipster hitlers in tight pants and converse telling motherfuckers what to think & believe.

They're the ones getting shows canceled & labels fucked off.!

If you're showing up to play find the nazi & callout good metal bands because of politics and not to headbang & heil satan.. 

Then you need to be dealt with. Something needs to be done to these people! They are an infection within a healthy thriving organism that needs to be ripped to shreds before it spreads any further!

GG Allin , the last great god of punk rock is dead and rotting in the fucking ground & that god is gone, & what was left behind in his absence has been slowly rotting & turning to shit ever since. Mutating with infection. It's sad he died of an overdose before he could perform his dynamite up the ass suicide show & all the pretenders to GG's throne don't have the balls to do it. 
*
WWW.UNDERGROUNDREPTILES.COM/SHOP AMAZON FOR POISONOUS SNAKES!

THEY'LL SHIP VENOMOUS SNAKES RIGHT TO MRR HQ LOOKING LIKE A BIG BOX OF FREE PROMO VINYL TO REVIEW..... 

OR THROW SOME SNAKES IN THE PIT TO LIVEN UP A PEACE PUNK SHOW!

"...ILL PUT MY SNAKE ON YOU...."-KBD
*

 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

Saturday, October 28, 2017

Apopthelema Entry 8 Part 2 by Kyle Nonneman

Apopthelema Entry 8 Part 2 

by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]


DEATHHAMMER-EVIL POWER

This Norwegian horde is pure bang your head for satan , true old school satanic metal . Fucking total Show No Mercy /Seven Churches/Endless Pain/Welcome To Hell brand of evil played at a 'Death Side' tempo. This carries on the torch of true metal and uses that torch to set fire to churches and false metal. They don't try to combine it with death or black metal . This is an unholy atavistic revival of the dark ages before all those genre labels existed .There's nothing modern about this. They just shred out some true metal for satan. The speed and energy of this , despite being old school as fucking Venom, shreds most grind bands. A lot of people have forgotten how brutal this type of shit was.This sounds just like it was recorded in 1985 . This is a honorable remembrance of where this abject heresy all started and it shreds and slays in true service to our master Satan.The modern trendy underground try-hards that scorn traditional metal and scoff at old school stuff like Kreator and Destruction, taking everything too serious, needs to have this record shoved up their fucking ass!
Deathhammer is also the name of the lp Asphyx put out a few years ago. That album is also essential
*
SUICIDAL ANGELS-ETERNAL DOMINATION

Generic sounding genre album. This sounds like a Kreator cover band branching out into original material. Satanic thrash anthems with titles like 'Slaughtering Christianity:","Quench your thirst with christian souls" and "Vomit on The Cross". It's obviously not as good as Deathhammer's similar work in this vein, but it still slays. And they write unapologetically blunt campy lyrics as bluntly evil as Deicide and NunSlaughter. This would be more impressive if Deathhammer's Evil Power didn't exist. But its still a good genre album thats faithful to the spirit of its obvious influences.
*

RWAKE-VOICES OF OMENS

This full length doom ritual is equal parts apocalyptic stoner crust and misanthropic black sludge. Like Electric Wizard experimenting with black metal. Blackened ringing arpeggios transitioning into traditional metal hooks and solos layered on top of crushing down-tuned sludge riffs. Harsh screaming vocals phrasing into rough tormented hardcore vocals. Basically this is what you would get if you got baked and put some old warped Shrapnel records vinyl in a blender with Weekend Nachos, EyeHateGod and early Forgotten Tomb. The guitar work is layered and complex without coming off as extraneous technical jerkoff nonsense.Creating a powerful atmosphere of suicidal despair and hatred for the species. There's a lot of straight false bands out there trying to make records like this, like Twilight and all the christian sympathizer bands on 1859 .
            To the point that i tend to avoid anything with the words crust, post or stoner in the description. But this is actually good work. I saw it referenced in a zine alongside Graves At Sea and it was a good purchase. Rwake transgresses the wretched shitheap of boring postmetal progsludge 1859 Records worship. This shit rules and in a lot of ways it goes beyond genre by incorporating a lot of different styles in a meaningful and cohesive way alot of lesser acts cant pull off. Their other album Hell is A Door To the SUn , has the anthem Stoner Tree on it. Get that record also. Stoner Tree is Sweet Leaf for the New Dark Age!
*
COMBAT WOUNDED VETERAN-DUCK DOWN FOR THE TORSO

No Wave Grind/Power Violence with a lot of jazz timings and weird fucked up shit going on. Bizarre insanity that sounds like: a fast Toadliquor with blastbeats doing Zeni Gava /Gasp mash-ups, Crossed Out' breaking edge, Spazz on acid, and Pre-sellout Locust/Melt Banana without the need for electronics to make it sound crazy.The type of fucked up fringe insanity Slap-A-Ham used to put out. This band kills it with this sound. A lot of bands try this type of experiment and end up sounding like another boring Discordance Axis clone or Neurosis worshiping technical hardcore hackwork, and when that album gets bad reviews, they try again and usually endup putting out some NomeansNo with growling mcgrind mathcore shit. But Combat Wounded Veteran kill it with avant grind violence insanity. They also incorporate a couple weird spoken word cutup sound collages that work well with the chaos like how Gasp's Drome Tiller lp was laid out. It works with the music not simply pasted on as a filler intro/interlude. Mapping Unexploded Ordinance is a surrealist nightmare soundscape using minimalist elements to achieve its effect. 
*


More to come:
WWW.APOTHELEMA.BLOGSPOT.COM

 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com


Saturday, October 7, 2017

Apopthelema Entry 8 Part 1 by Kyle Nonneman


Apopthelema Entry 8 Part 1 

by Kyle Nonneman



[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

PRURIENT - FROZEN NIAGRA FALLS
Brain damaged worthlessness. The muttering sounds of a sell out victim of child molestation who now yearns to press his lips to the groins of still innocent children, so he can taste what he used to taste like, before he sold his flesh out in service to the greater depravities of his master and became a burnt out husk. A traitor pretending to be something of value, providing the inspiration and instruction for others to follow in the wretched path he has taken towards perpetual aesthetic whoredom.. You listen for moments to the leaking grey dust and cliches .The silent explosions of powerless emo-violence electronics beating a sampled drum ring modulated through a rectum noise gate to the sound of mother's urine. Acoustic qualities that don't reach out to anything but a maudlin void of pedantic failure , the sounds of a subculture so dead inside and without purpose it has chosen this false profit as its messiah. 

(it should also be noted that Prurient has become a born again christian and all the lyrics on this lp are pro christian jesus freak shit..)


PLEASURE LEFTISTS-SELF TITLED DEBUT LP
paint by numbers Disintegration of Unknown Pleasures through the hands of a dull uninspired hack guitarist provides the backing track for some wretched skank that sounds like Diamanda Galas with Down Syndrome on pain pills. Or a toothless harelipped crack whore after a stroke doing Cocteau Twins Karoke... The drooling mumblings of a deaf girl choking on her tongue. This is like an all girl goth version of The Kids Of WIdney High. Layla Gibbons loves this band so i should have known better. Layla Gibbons tricked me once before by comparing Angie's Turning lp to early Chrome.
*
COUGH-STILL THEY PRAY
This band is basically Burning Witch with their balls cut off! It sounds like some shitty bedroom DSBM project trying to go legit by crossing over into indie garage rock. Overly discernible riffage that's blatantly derivative Primitive&Deadly/Glider worship. The whiny bitch vocalist for this band sounds like his last gig was playing in a middle school Linkin Park cover band and the guitarist sounds like hes just doing emo pastiches of Earth/Jesu/ riffs with the occasional shitty digital preset factory default effects at the end of the jam because he cant solo very well. The guitars never build into anything fully crushing, they just noodle around and hint at it.

Like the careful hesitation marks on a teenage cutter trying to freak out his parents never actually carving through anything vital. This is the type of shit posers that can't handle true doom spend time seeking out because they can't understand the lyrics or it's loud or too distorted , and all that prattle., Those arent valid criticisms.It's like listening to an immature pedophile complain about sex with an adult woman. Your immature and fucked up in the head and you have a little dick, so you manifest your pathetic insecurities by fucking children because healthy developed adult women scare you and intimidate you . Just like the people who listen to false metal a.k.a radio rock. Real metal is too extreme and you can't understand the words so you stick with the kiddy shit.
*
NASH THE SLASH-DREAMS&NIGHTMARES
Nash was a cult surrealist composer most active in the late 70s/early 80s. An antecedent to the current work of Christopher Young and Brian Reitzell. He just died recently. His work was a deranged cross between the psychedelic prog you hear on Italian horror soundtracks & the sound of Conrad Schnitzler outtakes being tortured by Coil. Plus there's  a lot of bizarre violin work in the tradition of Erich Zann.
*
PASYSAGE D'HIVER-KRISTALL&ISA
Lofi Tascam necromancy summoning drowning waves of cryptic distortion accented by cold winds of static. Haunted by obscure paralocrian melodies buried like a still fuckable corpse in an avalanche carved out by tormented indecipherable swedish vocals. Exsanguinating into primitive dark ambiance. Than rising again from the cold wastes to scream in anguish against the world of the living as a mournful acoustic guitar is played in a futile effort to silence the screams from the grave. Only to be overtaken by darkness.
*
SCORPION VIOLENTE-THE RAPIST
Michael Gira said that electronic music post Kraftwerk was like sex with 10 condoms.This is more forced&unlubricated. Rythmic proto power electronics like Intrinsic Action with a subtle early Sheffield groove. Minimalist beatbox/analog synth setup. Cold sadistic vocals. This is that rare 'Seconds too late' /Konduktor sound few can pull off correctly. Following in the honored tradition of Lille Roger,Cloister Crime and November Novelet. essential.
*

More to come:
WWW.APOTHELEMA.BLOGSPOT.COM

 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:
http://www.writeaprisoner.com/Template.aspx?i=z-16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

Monday, September 25, 2017

Apopthelema Entry 7 END NOTES by Kyle Nonneman

Apopthelema Entry 7 END NOTES by Kyle Nonneman



[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]


!*****************************\\\\\\\\\\\\\\\\\\\\\\\\\\!
!(THIS HOLIDAY SEASON WE NEED TO REFLECT UPON THE MEMORY! !OF THE GREAT LASZLO TOTH) !
!*******************************////////////////////////!

OH TANNENBAUM!:


'TO THE GUESTS IT WAS QUITE ENOUGH THAT THEY WERE GERMANS. THEY WILLINGLY WOULD HAVE SHOT THEM DEAD,BUT A CLUB PROVIDED A LOT MORE EMOTIONAL SATISFACTION AND THE BOYS AND GIRLS BRANDISHED SOME AS THEY MARCHED ON THE DARK BROWN BARRACKS. AT AUSCHWITZ THE SS HAD BEEN FORBIDDEN TO HURT A JEW FOR EMOTIONAL SATISFACTION,AND SS MEN WHO DID THIS, COULD, SOMETIMES WOULD BE IMPRISONED, BUT THE GUESTS DIDN'T FEAR THAT THE OFFICE WOULD PUNISH THEM. UNLIKE THE SS, THE GUESTS HAD GENUINE GRIEVANCES...

"TALL!" SHLOMO CRIED TO A TALL BLOND MAN "LIE DOWN RIGHT HERE! TALL" TO ANOTHER TALL MAN. "LIE DOWN BESIDE HIM! TALL!" TO ANOTHER ONE. "LIE BESIDE HIM!" AS SOON AS THE THREE WERE LINED UP, SHLOMO CRIED, "YOU! LIE ON TOP OF THEM CROSSWISE! NO HE SAID CLUBBING THE MAN. "I SAID CROSSWISE!

YOU!" HE CONTINUED, AND HE KEPT PILING UP GERMANS,THREE THIS WAY,THREE THAT,TILL HE HAD A HUMAN CUBE AS HIGH AS A HAND COULD REACH.

"ALL RIGHT!" SHLOMO SAID, AND HIS GUESTS STARTED SWINGING THE CLUBS, WHACKING AWAY AT THE CUBE AS IF THEY WERE HUNTERS AND IT WERE A POD OF CANADIAN SEALS. THE AIR WAS THICK WITH THE GRUNT OF THE GUESTS AND THE THUD! OF THE WOOD UPON BONES. IN THE HIGH TIERS THE GERMANS CRIED, "BITTE! PLEASE!" THE GERMANS IN THE CENTER TIERS MOANED BUT THE GERMANS IN THE LOW TIERS WERE MUTE FOR THE WEIGHT OF THE TWO DOZEN PEOPLE ONTOP HAD PUSHED THEIR VISCERA OUT AND THE GERMANS WERE DYING.

"PIGS!" CRIED THE PARTY GUESTS,POUNDING AWAY, BUT SHLOMO JUST LEANED ON A BED,WATCHING LAUGHING LIKE MESHUGGANER-A NUT, HIS CODE NAME IN THE JEWISH PARTISANS'" -EYE FOR AN EYE BY JOHN SACK


(NEWSWEEK;60 MINUTES AND THE NEW YORK TIMES INDEPENDENTLY VERIFIED AND CORROBORATED JOHN SACK'S RESEARCH,JOHN SACK IS ALSO JEWISH, SCHLOMO MOREL WAS INDICTED FOR WAR CRIMES AND FLED TO ISRAEL WHO REFUSED TO EXTRADITE)
*
GRIEBEN: ON KILLING AND GUILT: 

YOU KILLED THE GREEKS. YOU KILLED THE ARMENIANS. YOU KILLED THE HUGUENOTS. YOU KILLED THE PROTESTANTS. YOU KILLED THE CATHOLICS. YOU KILLED THE GYPSIES. YOU KILLED THE POLES. YOU KILLED THE UKRAINIANS. YOU KILLED THE INDIANS AND THE MALAYSIANS AND THE CEYLONESE. YOU KILLED THE BANTU AND THE RIFF AND THE EGYPTIANS AND ARABIANS AND WHAT HAVE WE DONE? WE HAVE KILLED A HANDFUL OF JEWS-FOR CHRIST'S SAKE AND A HANDFUL THE WORLD WANTED TO GET RID OF IN ANY EVENT.

GOD IN HEAVEN IS IT ALL GUILT? EVERYWHERE? WE KNOW THERE IS GUILT IN HELL. WE KNOW THAT DAY IN AND OUT WE SWEAT BENEATH THE BURDEN OF OUR INTOLERABLE GUILT ON EARTH. IS IT POSSIBLE THEN, THAT THERE IS NO GUILT IN HEAVEN ALSO AH YES OF COURSE . THEIR IS GUILT EVERYWHERE AND THERE IS REPENTANCE EVERYWHERE. BUT WHERE IS THE FORGIVENESS? I THINK THEIR MUST HAVE BEEN A MOMENT IN TIME. WHILE I, PALE AS A GRUB AND INSATIABLE GREEDY FOR THE ROTTING RED FLESH OF MY MOTHER'S WOMB,CAUGHT MY FIRST WISH OF GUILT WITHOUT SIN, OF SIN WITHOUT REPENTANCE, AND OF REPENTANCE WITHOUT FORGIVENESS AND IN THAT MOMENT OF LARVAL CANNIBALISM I REACHED WITHOUT KNOWING IT, THE CONCLUSION WHICH INEVITABLY WAS TO GOVERN MY LIFE.

FUCK IT.
FUCK IT ALL.
IF I AM NOT TO BE FORGIVEN THEN I SHALL NOT REPENT"

*
"HE OBEYED THE CALL OF THE BLOOD,THE WILL OF THE GERMAN FOLK-SOUL, AND THE CRY OF OLD GODS,TREACHEROUSLY SLAUGHTERED EONS AGO,YET STILL HOWLING FROM THE SWAMPS FOR VENGEANCE. ALMOST SUFFOCATED WITH THE MELANCHOLY OF SELF PITY, WITH NOSTALGIA FOR THE GLORY AND PAIN OF ALL THAT HAS GONE FROM THE WORLD,HE EMBARKS AN OLD MAN-LOST ALONE, THE LAST BEARER OF A FAITH BETRAYED-ON A PILGRIMAGE TO AUSCHWITZ"


AND FOR THE BEST OF: 

DEDICATED TO LASZLO TOTH): HERES NOTHINGISTTRUE'S YEAR END TOP 20 LIST, NOT JUST CURRENT/NEW RELEASES, BUT ALSO STUFF IV HAD IN HEAVY ROTATION,I BOUGHT ALL THESE. I SPENT CLOSE TO 3GRAND ON MUSIC THIS YEAR ALONE.BUT YOU CAN JUST STEAL EM OFF SLSK, YOU COULD GET EM OFF DISCOGS BUT A LOT OF THESE MAY HAVE BEEN BLACK LISTED BY THE SCENE POLICE BY NOW, DISEMBOWELMENT'S TRANSCENDENCE INTO THE PERIPHERY IS AT THE TOP. BECAUSE THAT RECORD FUCKS GOD AND THERE'S A LOT OF STUPID FUCKING POSERS THAT NEED TO FUCKING KILL THEMSELVES THAT DON'T KNOW ABOUT THE ALMIGHTY DISEMBOWELMENT! AND AS A RESULT IGNORANTLY LABEL BANDS LIKE SYMPTOM AS INCANTATION CLONES. FUCK OFF AND DIE DISEMBOWELMENT. KILLS IT . :

* THE BEST DOOM RITVALS : *
1. DERKETA-IN DEATH WE MEET *
2. WARHORSE-WHEN HEAVEN TURNS TO ASH *
3. WITH THE DEAD-WITH THE DEAD *
4. GRAVES AT SEA -THE CURSE THAT IS MY FAVORITE SONGS OF THE YEAR: COMBAT WOUNDED VETERAN-FOLDED SPACE:MAPPING UNEXPLODED ORDINANCE & RAMLEH-NEVER RETURNER (AWESOME FUCKING SONGS YOU NEED TO HEAR!) *

YEAR END TOP 20 BEST FULL LENGTHS: *
1.DISEMBOWELMENT - TRANSCENDENCE INTO THE PERIPHERARY (old as fuck record but still a fucking essential canonical classic!!!) *
2. RAMLEH - CIRCULAR TIME *
 3. OBLITERATION - BLACK DEATH HORIZON *
4. LANTERN -BELOW *
7. MITOCHONDRION-ARCHAEON *
8. DEATHHAMMER-EVIL POWER *
9. PORTAL- VEXOVOID/OUTRE *
10. GHOULGOTHA - TO STARVE THE CROSS *
11. KRIEG-BLUE MIASMA *
12. TAAKE -HELNORSK SVARTMETTAL *
13. SHINING- 8 1/2 FEBERDROMMER I VAKKET TILSAND *
14. ASPHYX - LIVE DEATH DOOM/ALL ASPHYX RELEASES *
15. BEHEXEN- MY SOUL FOR HIS GLORY *
16. SARGEIST-THE REBIRTH OF A CURSED EXISTENCE *
17. EXECRATION-MORBID DIMENSIONS *
18. ANTICHILDLEAGUE-HOLY GHOST *
19. VASTUM -PATRICIDAL LUST *
20. HEADHUNTER D.C. -GOD'S SPREADING CANCER * BEST SPLIT: SATANIC WARMASTER/BEHEXEN *

BEST DEMOS: SEMPITERNAL DUSK-SELF TITLED * BELLICOSE MINDS -BUZZ HOWL SESSIONS * DOCTORSHOPPER-PAX PHARMA *

BEST EPS: BLOOD INCANTATION- INTERDIMENSONAL EXTINCTION & INVERLOCH -DUSK/SUBSIDE

* NOW YOU LISTEN! *.

WWW.APOTHELEMA.BLOGSPOT.COM

 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335