Showing posts with label POWER ELECTRONICS. Show all posts
Showing posts with label POWER ELECTRONICS. Show all posts

Saturday, August 4, 2018

APOPTHELEMA SPECIAL FEATURE ON AMALIE BRUUN AND MYRKUR 2 OF 2

SPECIAL FEATURE ON AMALIE BRUUN AND MYRKUR PART 2 by Kyle Nonneman

by Kyle Nonneman
[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.] 

"THE WHOLE QUEST FOR EQUALITY FROM THE CIVIL RIGHTS AND WOMEN'S MOVEMENTS BAFFLES ME! THE STRUGGLE FOR EQUALITY FROM WITHIN A CORRUPT SOCIETY IS AN UNWORTHY GOAL!

FOR WOMEN SEEKING EQUALITY IS LIKE ASKING FOR THE RIGHT TO PARTICIPATE IN A SOCIETY WHICH IS CONSPIRING AGAINST YOU. IT IMPLIES THE RECOGNITION OF A SYSTEM BASED ON SUPERIORITY AND EXCLUSION.

DEMANDING A PLACE NEXT TO THE PEOPLE WHOSE VALUES YOU OBJECT TO DEFEATS YOUR PURPOSE!

EQUALITY IS NOT THE PROBLEM OR THE SOLUTION,AND EVEN IF IT WAS, IT COULD NOT BE OBTAINED BY ADOPTING FOR YOURSELF THE PROCEDURES OF THE VERY STRUCTURE YOU FIND UNEQUAL. THE SECOND YOU CROSS THAT LINE YOU'RE ON THEIR SIDE. THEY SET IT UP THAT WAY. YOUR ACKNOWLEDGEMENT OF THEIR POWER IS ALL IT TAKES FOR THEM TO CONTROL YOU. THE ACTS OF ASKING OR DEMANDING OUR OBVIOUS BASIC RIGHTS ACTUALLY STRENGTHENS THEIR POWER OVER US. ACCEPTING AND HONORING THEIR MINUSCULE GIFT OF EQUALITY ONLY REASSURES THEM THAT WE ACCEPT OUR POSITION AS VICTIMS. THIS EXCHANGE STRENGTHENS AND LEGITIMIZES PATRIARCHY. "

WHAT GETS ACHIEVED BY PRODUCING SEGREGATED EVENTS IN ORDER TO MAKE WOMEN OR MINORITIES MORE VISIBLE IN ALTERNATIVE MUSIC?

I WANT TO BELIEVE THAT WOMEN ARE DOING EXACTLY WHAT THEY WANT IN ALTERNATIVE MUSIC. IF THERE IS ONE THING WE LEARN FROM MINUTE TO MINUTE SUBJUGATION TO PERVERTED PATRIARCHY ,IT IS THAT IN ORDER TO SURVIVE YOU HAVE TO BANISH THE IDEA OF YOURSELF AS VICTIM ALTOGETHER. OTHERWISE YOU WILL DEFEAT YOURSELF BEFORE YOU EVEN GET STARTED. 

"WE HAVE GOTTEN SO ACCUSTOMED TO TOKENISM AND NOVELTY THAT WE BEGIN TO BELIEVE THOSE ARE THE SIGNS OF PROGRESS" -SUE ANN HARKEY 
*
Ever notice Derketa isnt mentioned in Choosing Death? Arch Enemy pretends great bands like Derketa don't exist because it ruins their marketing gimmick. Arch Enemy's token inclusion in Choosing Death was an apologist disclaimer to quiet the author's guilt and self loathing over the themes of a lot of grind & death metal,and an attempt to repackage the subversive subject matter into something more acceptable to the common herd. That's bullshit. 

Same thing was done with Fight Your Own War, the headpress book on Power electronics with its inclusion of Brut. I love Rosemary Malign's work. She is one of the preeminent artists working within extreme music. She was like a sister to me and she was always more legit, extreme and uncompromising then most the male artists in the power electronics scene. She achieved her status through the strength of her performances and the quality of her work. Not from bitching in zines about discrimination and gender politics to extort and blackmail losers into praising her work to prevent being labeled misogynists.

Too many women within extreme music ostracize themselves and become the target of contempt when they spend more fucking time criticizing and challenging the themes of other artists and trying to make themselves into victims and martyrs instead of just focusing on their art and putting out good records and strong live performances. 

In a lot of cases you have women who go into extreme metal and power electronics and don't take it seriously. They troll these scenes talking shit and trying to incite controversy so they can lash back and self-righteously sit upon the throne of victimhood and call everyone who dissents a sexist pig. It's a game to them. That's all. It's trolling from trolls who know that they can play the misogynist trump card if they're called on their shit. And the reasons those people are hated has nothing to do with gender.

This is probably part of the reason you see Amalie Brunn trying to market her work as Black Metal knowing by self identifying as a Black Metal musician shes putting a target on her back. If this wasn't the case she would simply market her work towards the Goth/Neofolk scene instead who would be far more accepting and appreciative of her work. My hatred of these type of people has nothing to do with misogynist ignorance. 

Valerie Solanas is one of my favorite writers. I don't agree with a lot of it , but her prose style has had a very obvious influence on my own writings. Ayn Rand's work which I've been reading since i was 11, has had a very powerful and significant influence on my life. Ayn Rand's work had a significant influence on Laveyian Satanism and the immanent side of the left hand path. As much as Ragnar Redbeard's Might Is Right. 

One of the interesting things about Valerie Solanas is Faust killed a gay man and people call him a homophobe for it and trying to stop him from drumming at fests. Solanas attempted to assassinate a vastly influential gay artist who was an inspiration to a lot of people ... And was called the "First outstanding champion of women's rights" by N.O.W who represented her at trial. These inconsistent and hypocritical double standards are fucked up.

--end of part 2--
You can contact Kyle at:
 Kyle Nonneman
 #16534211
Osci
3405 Deerpark Dr SE
Salem OR 97310

And here's some more art from Kyle:


You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

--end

Sunday, November 12, 2017

Apopthelema Entry 9 Part 1 by Kyle Nonneman

Apopthelema Entry 9 Part 1 by Kyle Nonneman


by Kyle Nonneman




[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

ANTICHILDLEAGUE-HOLY SPIRIT/HOLY GHOST
Both these albums are top tier. AntichildLeague combines shifting layers of loops into dissonant textured soundscapes that mix elements of Death Industrial,Power Electronics Noise,Brian Reitzell soundtracks and Die Form's Some experiences with shock, Into cohesive sound sculptures..Holy Spirit alternates masterfully between abusive collage instrumentals and more traditional power electronics. Combining somber and hypnotic pieces with harsher more abrasive actions.
     A lot of thought and skill was put into assembling these pieces.Cracked Lips has an awesome beat that sounds like a Mindphaser Ghost Rider. The pieces with vocals sound like Intrinsic Action&Haus Arafna with a Scorpion Violente' -esque menace layered atop buried 'Seconds too Late' Sheffield grooves. 'I Hate You' has a nice aggressive Sektion B sound to it. It has some of the forgotten elements of Cloister Crime as well.Iv heard a lot of Power Electronics & i worship early SPK.
     These two records combined are masterpieces. You can't simply classify this as Power Electronics or Death Industrial.. Its more evolved, intricate and intelligent than the majority of work being tagged with those labels and this more then anything else iv heard recently invokes the spirit,sound and inventiveness of the first wave of industrial: Factrix,T.G, SPK,Broken Flag,Kondukter, before there was a name for it back when it was unclassifiable,obscure, esoteric insanity existing in the transgressive fringes of the underground, not the dance floor. 
     Uncompromisingly original & innovative. Not a retro pastiche. This is essential 
*
GNAW THEIR TOUNGES-HYMNS FOR THE BROKEN,SWOLLEN,AND SILENT
Iv followed Gnaw for awhile and own most of their releases. 
            The Collected Atrocities period work was a sprawling psychotic cutup collage of Cold Meat Death Industrial, Somanabulant Corpse Dark Ambient, Abyssic Hate, and deep nods to Horror soundtracks fleshed out with alot of heavily processed guitar work breaking down into a gray area between Sigh, Abruptum and Khost. Various levels of evil vocals throughout. Abyss of Longing Throats, was a more cohesive attack,distilling the most potent and evil elements of his earlier work into a more structured and articulated assault on the listener.Less droning more surgical abuse. But it still remained as hauntingly atmospheric and epic as the earlier work.The Dragged Into Sunlight/Gnaw Their Tounges collab was a sick masterpiece of chaotic sadistic experimental blackened death, like Scar Sighted period Leviathan crossed with Discordance Axis. 
        Then there's this Gnaw Their Tounges full length.This is very subpar in comparison. Most of Hymns sound like warped Drum Machine Grind 7" played on a broken turntable through cheap pedals . Like an ambient Ganglia....The samples are nowhere near as powerful and carefully curated as the collab with Dragged Into Sunlight With Hymns you get Laptop Blood Axis, Download remixing Xasthur. and a poor man's Full of Hell/The Body but instead of Chip King's horrible vocals you get some evil depraved blackened gore depravity.
       (Get a new vocalist Lee! Chip sucks! You could contact mic a dude raping a cat and it would sound better than Chip!)
      When you compare this to what he accomplished on other releases, it sounds as fucking lazy as Chip Kings vocals. Gnaw could have put in slightly more effort and beat on some scrap metal..Pretty much anythings better than jerking off with Fruity Loops . Fruity Loops is responsible for so much generic hackwork that its pretty much a malware virus with real world consequences.
     There's a lot worse shit out there like Prurient . Its a decent full length for what it is but your haunted too much by what it could have been. 'Your Kingdom shrouded in Blood" is a beautifully cold dark ambient piece with minimalist martial industrial elements and disturbing tormented vocals mixed into it perfectly.. But its followed unfortunately by some Drum machine grind noisecore gabber glitch bullshit...
     This is some pretty weak shit. Considering what Gnaw has proven himself capable of on Abyss of Longing Throats. Especially the title track to Abyss!.... You're better off just buying Abyss or if you already own it, then get some Sutekh Hexen.

-end part 1-
 You can contact Kyle at:
 Kyle Nonneman
#16534211
SRCI
777 Stanton Blvd
Ontario OR 97914-8335

You can also see a profile and have e-contact at:

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com