APOPTHELEMA SCANNED VERSION #2 Dec 2019

APOPTHELEMA SCANNED VERSION #2

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

[Kyle has loss his internet access, so from now on his entries will be scanned and posted as images]

ou can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOPTHELEMA SCANNED VERSION #1

APOPTHELEMA SCANNED VERSION #1

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

[Kyle has loss his internet access, so from now on his entries will be scanned and posted as images]

\

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOTHELEMA SPECIAL FEATURE ON PLANET OF THE APES (HAIL CAESAR!)

Friday, July 12, 2019

APOPTHELEMA SPECIAL FEATURE ON PLANET OF THE APES. 

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

"BEWARE THE BEAST MAN FOR HE IS THE DEVIL'S PAWN.ALONE AMONG GODS PRIMATES HE KILLS FOR SPORT OR LUST OR GREED. YA! HE WILL MURDER HIS BROTHER TO POSSESS HIS BROTHERS LAND LET HIM NOT BREED IN GREAT NUMBERS FOR HE WILL MAKE A DESSERT OF HIS HOME AND YOURS .SHUN HIM. DRIVE HIM BACK INTO HIS JUNGLE LAIR. FOR HE HIS THE HARBINGER OF DEATH" --PLANET OF THE APES

I saw Dawn Of The Planet Of The Apes in theatres when it first premiered. The sequel to it, Rise Of the Planet Of the Apes depicted a few examples of false flag terrorism and the seeds of the concept that all species are inherently flawed.

War For The Planet Of The Apes ends on a significant high note. Providing the viewer with the origins of Nova. Who we see as a devolved child in this film helping the apes escape the woods to the dessert. As well as the beginnings of the dooms day nuclear holocaust cult introduced in Beneath The Planet Of The Apes.

War also has a tongue-in-cheek reference to Donald Trump. The military uses the ape as slave labor to build a wall for their dictator who has gone insane with the collapse of civilization and being faced with the impending doom of his race. The dictator's suicide at the end is beautiful poetic justice.

Like the other classics in this series, it's about shattering the anthropomorphic bias that fuels the delusional belief systems of the herd. Allowing them to ignorantly believe through systems of denial that they are the crown of creation. A dystopian end to a weed species providing the fertilizer for a new species to rise up in its place of extinction, reminding us of how transitory we are in the end.

War For the Planet Of The Apes follows the continuity of the original series to some degree, providing a more clarified, cohesive and easier to grasp explanation for the fall of humanity then the original series. As well as filling in gaps in the original series: Such as why humanity devolved into mute cave men and how they ended up in the dessert.

But the time line for the film is somewhat screwed up. War For The Planet Of The Apes ends with Nova as a 7 year old girl. She's around 30 with the arrival of the astronaut Taylor. So it ends 23 to 25 years before the events in the first film and the original novel.

Maurice is the only orangutan in the film. It neglects to explain how the orangutans became political leaders and keepers of the scrolls or how they bred. It would have be nice to see the origins of Dr. Zaius like we do the origins of Cornelius.

The original series had a paradox time loop aspect to it that isn't carried over in the remakes.

After the planet is destroy in the second film with the detonation of the bomb Cornelius and his wife escape earth and go back in time.

In the third film. Leaving Caesar to be raised and start the rebellion in Conquest of The Planet Of The Apes. In the remake, Cornelius is Caesar's son. So he essentially gives birth to his own father...

The followup to Conquest , Battle of the Planet Of The Apes, is the "Cold Lake" of the series.

Battle was a saccharine maudlin cashgrab franchise film as well as a humanist apology for the powerfully misanthropic climax to Conquest that inspired me a lot as a kid as well as inspiring a few bands.

Conquest was sampled to great effect by Noothgrush and Suppression. Noothgrush has an awesome song that pays tribute to the message behind Planet Of The Apes called 29th Scroll. Readers should seek it out.

One issue i had though with War For the Planet Of The Apes is the end credits stated "Based On Characters Originally Created By" and they cite the original scriptwriters-- not the French Science Fiction novelist Pierre Boulle who wrote the book the original film was based on.

Its interesting to note further that Boulle was likely inspired by the urban legend during the French British war:

A French ship washed ashore and on board the ship was a pet chimp dressed in a captains uniform. The British assumed the ape was a French spy and the ape chattering was the french language. So they took him as a prisoner of war and shortly thereafter hung the ape. Monkey hangers became an antiquarian derogatory term for the British as a result.

"MAN WAS BORN OF THE APE AND THERE'S STILL AN APE CURLED UP INSIDE OF EVERY MAN. THE BEAST THAT MUST BE WHIPPED INTO SUBMISSION, CHAINED AND SHACKLED. WHEN WE HATE YOU, WE'RE HATING THE DARK SIDES OF OUR SELVES"

-CONQUEST OF THE PLANET OF THE APES

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOPTHELEMA SPECIAL RESPONSE TO THE FACEBOOK DEATH METAL GROUP DETRACTORS

 APOPTHELEMA SPECIAL RESPONSE TO THE FACEBOOK DEATH METAL GROUP DETRACTORS

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

[Note 2: This is specifically addressed to Kyle's being censored from the Satanic Metal, and Death Metal pages of facebook.]

Portland police are corrupt to the core. Look at the Scott Elliott case. Senior Portland P.D. Sex Crimes Detective indicted and convicted for distribution of child pornography. 

I welcome the polarizing responses and your hatred.

That Which Offends Us Also Provokes Us To Think. 

Mikko Aspa from Deathspell Omega/Clandestine Blaze/Northern Heritage saw the fucking golden shower videos mentioned on the news.

Mikko praised them highly. He knew they were consensual videos.

Lots of people in the Portland know who Angie is, Such as Josh from Aldebaran/Splatterhouse/Tusks Of Blood. People saw both of us at shows all the time. We had a disruptive Sid And Nancy presence. 

First and foremost, the opinions and value judgments placed upon me by the individuals on this Facebook group are being voiced from the safe proxy of a computer on the internet, by cowardly lames online. 

What the fuck do you do of any significance to the cause of furthering metal?

I walk around prison wearing long fucking hair and a baphomet sigil i got by filing paperwork. I get challenged and mistaken for a transvestite because of my hair. I survive. I don't pay rent. I don't get fucked in the ass. I'm not in protective custody.

I fight for metal. The prison wouldn't sell me a decent distortion pedal or drum machine. So i filed grievances and discrimination complaints against the chapel services because christians were allowed electric guitar equipment for their bible thumper bullshit.

I cited a precedent set by a magistrate in a similar civil rights lawsuit against the Federal Bureau Of Prisons. I found this case by doing hours of legal research.So now i have a Zoom G1x Four. 

I ran the risk of pissing a lot of inmates off by getting the chapel music services shut down but i don't give a fuck.

How many fucking hours a day do you spend in a cage shredding?

I practice close to 10 hours a day.

You don't live for this shit or bleed for it. You just dabble in it and amuse yourself by dipping your toe in the water on a metal group on facebook. Fuck you.

Criticizing me for my criminal charges and actions is as ignorant and hypocritical as listening to gangsta rap and criticizing the rapper for being an uppity ghetto thug nigger.

I stand as a cruel reminder that the lyrics to most metal songs are to lesser men such as yourselves proxys through which you vicariously experience the deeds of stronger and greater individuals than yourselves. You listen to violent music with themes of violence and death but you know nothing of real violence let alone committing it.

I do.. I'v experienced a lot of violence and depravity in my life, shit you've only read about on the lyrics sheets. You can look at my criminal history as a clear testament to the fact that i don't give a fuck about humanity. I'm committed to the left path to hell. Iv sold my soul to Satan. Literally. I was close allies with Jay Scott Ballenger when i was in federal prison in Terre Hautte. The missionary of Lucifer. Convicted of burning down 33 churches. He did the necessary ritual.

Have you detractors and online cowards sold your soul to Satan as i have?

I doubt it.

The victim in my case was a bag bitch meth-whore. She testified to being held captive to avoid being charged for possession for the drugs in our apartment. Under common area search and seizure laws she would have been indicted. She was on the lease. 

When I took her to the hospital she had a pipe burn on her hand from the dope dripping out of the stem. Chemical burns get you raided. Especially if you got priors for running meth labs like she did. 

So she did what needed to be done to avoid being charged.

After that , i gave her money in county which she used to get a hipster lame spun out, he then killed his mommy and then blew his own brains out the back of his skull. She robbed his apartment afterwards. I got interrogated for it. It was on the front of the Oregonian. So she then snitched on a bunch more people. She was one of the D.E.A.'s main confidential informants for the "White Christmas" drug busts all over north east Portland.

So i got no problems in prison. Shes a known rat with no fucking credibility. 

So you weren't fucking there. All you fucking know is what the mass media tells you to believe and like a fucking sheep you believe and follow the lies of the mass media.

F.O.A.D

Hail Satan!

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOPTHELEMA ENTRY 18 PART FOUR -- MRR IS DEAD!

APOPTHELEMA ENTRY 18 PART FOUR

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

"WARRIORS FROM HELL'S DOMAIN WILL BRING YOU TO YOUR DEATH!"....-SLAYER

In my previous special feature on the subject entitled "Maximum Rocknroll Fuck Off And Die" i criticized and thoroughly condemned Maximum Rocknroll.

Now M.R.R. is finally dead! Maximum Rocknroll has chosen to cease print publication. 

MRR was the only remaining independent newstand zine covering punk rock. MRR after a decades long existence became mad with power and started to essentially devour elements of the subculture it once championed and advocated.

A lot of the actions carried out by MRR in its last days were like the senseless power mad orgies of the gestapo and Mussolini's regime as depicted in films like Salo and Gestapo's Last Orgy. Only less fun...

Since MRR was primarily ran by uppity 'Mattachine Society"-esque androgonous mousy hair and glasses hipster trannys too busy being self righteously politically correct from their soap box to have any fun. 

Shooting their shots only from the safety of the MRR columns section. Not the cool 'Born to Be Cheap"/"Dead Skin Mask" trannys that have now unfortunately become an endangered species... 

Power corrupts. Like the old Megadeth song Symphony of Destruction. MRR went from being a nurturing supportive father to the scene, to a resentful abusive bitter old man spitting bile and hatred at the successful children he spawned.

Trying to politicize away the jealous self loathing incited in seeing its children exhibit free will and fly free from their control and accomplish things of greater value then they themselves did during their time.

MRR's coverage of music took a backseat to its tedious discussions of scene politics and armchair bashing of elements of the underground that didn't conform to their megalomaniacal status quo.

The M.R.R columns section became a status symbol and an exalted privileged soap box stood upon by the various angry little hipster Hitlers looked up to in awe by reverse conformist sheep . Walking in line in obedience to the standards set by the P.C. Scene Police.

Punk used to mean thinking for yourself. Then it became to many about thinking in accordance with the standards set by the current Crimethinc Mccarthyist granted a column in MRR...

Lest your band/venue or label become blacklisted by the columnists and shitworkers at MRR,  who, at the end, were essentially the Committee for Un-Punk Rock Activities.... Cashing in on the subcultural scene capitol accumulated during its bloated existence to make more power moves within the underground it sought to dominate-- like Hitler invading Poland.

Instead of tape trading and doing shit for themselves a lot of labels,bands and zines just paid the requisite fees to M.R.R to get an advertisement in their magazine or send them free review promo copies. It's like in Phantasy Star 2, the people of the planet have everything done for them by a robotic computer system known as Mother Brain. Once Mother Brain is killed off, the people have to struggle and work harder doing everything for themselves.But they become stronger free thinking individuals as a result.

MRR had columnists requesting people email them to report individuals within the scene that were unworthy.They started campaigning to have diy independent sellers and labels banned from Discogs.com for selling work by artists they didn't approve of. Towards the end went so far as to start a campaign to boycott Gilman Street. 

I lost any fucking respect i had left for the punk, crust and hardcore scene after seeing the actions perpetuated by the sewage workers at that zine and how many people in the scene proved themselves to be hypocritical posers and peer pressure zombies by refusing to call MRR on their bullshit. I'm glad it's fucking dead. 

The zine opened the doors for a lot of people. It was an introduction to the cult for many. But now its fucking dead and we need to move the fuck on and do it ourselves and quit mourning the loss of a totalitarian party organ that tried to control our lives and dictate our actions as individuals.

The only valid reason to look back upon MRR's corpse is to desecrate it and mutilate it.

HATE IS OUR BELIEF!

FUCK YOUR SCENE!

HAIL SATAN!

WE SPIT ON YOUR GRAVES!

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOPTHELEMA ENTRY 18 PART THREE more reviews

APOPTHELEMA ENTRY 18 PART THREE

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

GAYLORD - THE BLACK METAL SCENE NEEDS TO BE DESTROYED

I wouldn't be surprised if the assholes in this band didn't rock Shelter backpatches and trade degrading sexual favors for rare Revelation records test presses...Dead Kennedys performed Nazi Punks Fuck Off live onstage. Back when you still had a lot of skinheads at shows. Jello said it in their face. Slapshot didn't hide behind a computer or an anonymous joke band. Same thing when Minor Threat came out with straight edge and criticized the drug wrecked party punks. They performed it live in your face. So they became anthems and forces of change within the underground. 

This band will never perform live.All the song titles on this ep are death threats against metalheads or shit like "Varg Impaled". This is either a trolling joke band ripping off Anal Cunt or some cowardly punks trying to copy Slapshot... Either way its a useless release saying nothing of value. Weak minded lesser men trying feebly to drag down their superiors. This band wont play this shit live or come out and show their true faces. In prison you have a subhuman class of inmate known as a cell warrior. Cell warriors are child molesters and rats that hide in the hole behind inch thick steel doors. Safe behind steel doors they yell insulting and disrespectful comments and empty threats to the active violent gang members to incite a reaction out of boredom. But they'll never come out of their cell and say it to their faces. This band and the people that support this shit are essentially just cell warriors. And just as pathetic. Adopting the tactics of cage crazy pedophiles hiding in shame to condemn and mock a movement superior and more valuable then the worthless lives of its detractors. . Fuck off and die.

*

XASTHUR - NIGHTMARES AT DAWN
I listened to Xasthur alot when i was drinking heavily. It goes good with alcoholism... Sober Xasthur loses a lot of its charm... Stylism over substance at its overrated best....Most of this record is just distorted X-Mal Deutschland ripoff bullshit atop poor man's Abruptum vocals mashed up with some shitty attempts at Mutillation. Degenerate Uprising has a sludgy funeral doom thing going on with some low end gurgling vocals like a rawer Nortt with Demillich vocals. Probably the best track on here. 

Degenerate Uprising is followed by a cover of Black Sabbath's A National Acrobat. He gets the tuning fairly correct. (C#,G#,C#,F#,A#,D#) The main riff is played fairly accurately. The riff is slightly blackened and it sounds pretty cool. But Xasthur doesn't even play the 2nd riff of the song, the wah pedal/hammer ons played underneath the verse 3&4 riff. It ends with a bass riff and doesn't break into a solo, stopping cold. It feels empty and half-assed without a solo. Not to mention the other 3 riffs besides the main riff Xasthur neglects to play.

Iommi's mysteriously twisted solo on National Acrobat is one of his best and like TNT hasn't been transcribed. I doubt Xasthur can shred anyway. Its an obscure Sabbath track and to the best of my knowledge, there's no official tablature or notation for the Sabbath Bloody Sabbath album. Its funny how many people incorrectly compare doom metal to early Sabbath when Iommi didn't start the majority of his down tuning until the 4th album... Listen to Avulsed's Neon Knights, Belphegor's Sabbath Bloody Sabbath, Brutality's Electric Funeral, or Brutal Truth's Lord Of This World if you want to hear extreme metal covers of Sabbath... Xasthur's work is as always hit and miss , full of stylistic inconsistencies and failed experiments. With most Xasthur work there's usually a few good compositions scattered throughout a lot of weak shit. I pretty much just bought this because i was curious to hear how badly he mutilated Sabbath.. Same unfortunate morbid curiosity that keeps Six Feet Under in business.

Waste of money....

*

KRISTALLNACHT - BLOODDRENCHED MEMORIAL 1994 - 2002 
Kristallnacht is one of the greatest black metal bands. Endless blastbeats and indecipherable hypnotic tremolo patterns with very few distinguishable riffs. With a raw and brittle production that sounds like hell. With a fierce and powerfully inspired vocalist. This is uncompromisingly Lofi committed true black metal. Harsh and abrasive as fuck. Atonal dissonant minimalism. You can fuck off and die if your looking for anything melodic. 
Most of this has the fumbling violence and black noise depravity of cassette rehearsal demos. There's nothing technical about this band. Just a blasting hellish assault of misanthropic black metal.

This is one of my favorite black metal bands and this is an essential document of their work...

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOPTHELEMA #18 PART TWO

APOPTHELEMA ENTRY 18 PART TWO

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

SUTCLIFFE JUGEND - WITH EXTREME PREJUDICE

This is what Fad Gadget would have sounded like if Frank Tovey was a sadistic pedophile and huffed alot of gas...

Sutcliffe Jugend back in the early 1980s were part of the first wave of true British power electronics/proto industrial. Throbbing Gristle became acid casualties and after there breakup became responsible for the early rave scene and Genesis P. Orridge didn't do anything else significantly extreme or challenging until his collaboration with Merzbow a few years back. Which was some of the finest work by both G.p.o & Merzbow. 

S.J. took the depravity and seething misanthropy of Throbbing Gristle and S.P.K and cultivated it further into a seething assaultive exegesis upon the ugliness of humanity. This full length has a lot of psychotic and depraved vocals delivered over piercing and disturbing industrial noise that is in most tracks looped in a hypnotic fashion that cause the harrowing vocals to drill into your skull. A lot of this record is more somber and moderately rhythmic as well as repetitive than the more abrasive work they accomplished on their definitive genre defining full length 'When Pornography Is No Longer Enough." While some of the vocals are unfortunately less in your face than Pornography and Pigdaddy. This is still a significant work by one of the most sociopathic acts within extreme underground music. This is true industrial. Not the disgraceful dance music it became.... This is what hipster poser acts like Prurient, Wolf Eyes and Bastard Noise water down for trendy herdcore audiences....

The majority of Sutcliffe Jugend's work takes the listener vastly further into the psyche of a sociopathic serial killer than most acts out there within extreme metal can ever hope to accomplish and they have been doing this before death metal existed... 

*

REVOCATION - THE OUTER ONES 

One of the few interesting and memorable progressive death jazz fusion albums. This isn't true old school death metal but it still kills it.

A challenging combination of Post Human Death, Hellwitch and mid period Atheist influences fused with alot of Coltrane,Wayne Shorter and Pat Metheny worship resulting in a brutal death acid jazz fusion sound that is well above the skill level of most tech death acts.

Revocation's work is more influenced by the work of jazz fusion guitarists than it is a mere extension of the same fashionable shred gods everyone tries to replicate. Their compositions are carefully cultivated and distilled statements not routine aimless free form shredding of no substance. All the songs on this full length are inspired explorations of the themes and philosophy of H.P. Lovecraft's work with an epic degree of structure. As a whole this is an interesting and epic album by very talented musicians. There's a lot of unique and distinctive guitar work on this record thats worth listening to. I hate the trendy technical death jerk-off acts. This act doesn't fit into that loathsome category and they slay most of the overrated soul less tech death out there. 

*

MITOCHONDRION - PARASIGNOSIS

This is true death. One of the definitive works of extreme underground music period. That follows proudly in the exalted wake of Mitochondrion's previous full length Archaeaeon. Mitochondrion is an unsettling and powerfully disturbing act that transgressivley destroys the tired and cliché confines of formulaic extreme metal. They invoke the roots and traditions of true death metal and evolve it forward into new dimensions of aural depravity without the use of keyboards,sampling, and overtly technical detours into non metal genres. This is a formless mutating misanthropic sound sculpture invoking the primal depths of cosmic chaos more than it is a cohesive collection of riffs. More esoteric occult rituals than structured songs. This full length drags the listener further into the depths of hell than its predecessor Archaeaeon did. 

This is one of the best releases to come out of the new dark age of extreme metal. Hail the NDAOEM! 

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com

APOPTHELEMA #18 PART ONE

APOPTHELEMA ENTRY 18 PART ONE

by Kyle Nonneman

[Note: this was composed in prison where proof-reading facilities are notoriously bad. Please don't hold that against the author. You can contact Kyle through the address listed at the end of this entry.]

"BECAUSE MOTHER BRAIN CREATED SO MANY THINGS,WE DIDN'T KNOW WHAT WE NEEDED.[..] PEOPLE THEN THOUGHT THEY COULDN'T LIVE WITHOUT MOTHER BRAIN. THIS CAUSED THE PEOPLE'S MINDS TO WEAKEN"

-PHANTASY STAR 2

In Sega's underrated cult classic old school rpg Phantasy Star 2, the plot centers around a planet of sheeple herded by the ominous deity known as Mother Brain. Mother Brain in this game isn't depicted for the most as anything Orwellian or dystopian for the most part. The populace is happy. Having their lives dictated and controlled by Mother Brain. Grown fat and complacent on the convenience provided by Mother Brain. 

In all the towns of the game, control towers link all the people electronically to Mother Brain. The Mother Brain in this game is a darkly prophetic entity that foreshadows our current society's state of being. Mother Brain's presence is vastly similar to that of Amazon/Apple/Microsoft.

You have the Microsoft Kinect device using advanced robotics parts sold at a loss placed inside of Xbox videogame consoles for the purposes of harvesting facial recognition and motion capture data that is streamed directly to the internet.

Prior to the release of Kinect those parts were out of the price range of most diy robot builders. Now they just salvage the parts from Kinects. Why is Microsoft putting these expensive parts in a device they're selling at a loss? 

Microsoft openly cooperates with law enforcement. Microsoft used all my data when i was arrested by the FBI and Homeland Security in the mid 2000s. During a Joint Terrorism Task Force investigation. You don't own the servers let alone pay for usage on Hotmail, Facebook ,Gmail etc so all these companies can be conveniently asked to provide data to the government without the need of a warrant. Furthermore, you have various private corporate security agencies setup by former government agencies. These are likely fronts designed to circumvent the Freedom Of Information Act which is not applicable to private corporations.

The sad fact a lot of parapolitics conspiracy theory researchers omit in their work is that for the most all the clandestine shadowplay is extraneous and unnecessary, because the majority of humans walk in line because they're afraid to stand alone..

The majority of humans are monophobic. They would rather be told what to do and have their lives dictated and micromanaged and safely watched over from above by church and state, then take the ardent step of thinking for themselves and being an individual.

Knut Hamsun's novel Hunger is considered a classic of psychological horror. Most people don't get it. They only read one side of the story. It was a sequel to another novel by Hamsun. The farmer's son leaves for America and is never heard from again. Hamsun was in part talking about the madness of modern urban society.

Now we have a further process of dehumanization taking place through the increased dependence on technology. Previously, the only people who spent their lives in cyberspace were autistic spectrum agoraphobics and it was a niche group of individual fetishized in various 1980s cyberpunk science fiction novels.

Now the niche subcultural glamor of William Gibson's Sprawl trilogy has bled out and become a common and accepted method of living ones life. Now William Gibson's novels are boring and take place in the present. I saw Gibson do a reading about 7 years ago. I was the only one in the crowd wearing black leather. I got bored and left to go buy a few hits of acid. Instead of wasting money on something for him to sign.

But in the end, what the fuck is so great about modern reality and the surface world that makes it superior to what's on a screen? Whats the point of fighting it? I spent more time in front of a computer and listening to metal when i was a kid then i did playing outside. Back in the early 1990s. That made you a weirdo computer nerd potential school shooter in the making. Now everybody's fucking doing it.... What happens post singularity when technology reaches the point of singularity in which it is indistinguishable from reality itself?

Phantasy Star 2's plot is genius because they took a form of electronic entertainment and inserted all these thought-provoking ideas of a subversive nature. Its only fitting that complex rpg games like Phantasy Star 2 had a limited release in The States. A lot of classic rpgs were never released stateside due to the complexity and difficulty level of the games as well as the plot and themes. 

Americans instead prefer button mashing action games requiring little thought. Society will continue to de-evovle. Devo was right. Devo tried to change it. Mark Mothersbaugh was in the crowd during the Kent State Shootings and tried to wake people up. Instead he just created the geek version of Kiss. 

Bottomline is mankind has no future. We're all doomed.

====================================

You can contact Kyle at:

 Kyle Nonneman

 #16534211

Osci

3405 Deerpark Dr SE

Salem OR 97310

And here's some more art from Kyle:

You can also see a profile and have e-contact at:

http://www.writeaprisoner.com/Template.aspx?i=z-16534211

And a new contact: https://prisoninmates.com/profile/KyleNonneman16534211

I'm Mykel Board, and I post for Kyle because no one else will. If you're interested in my own ideas, you can read me at: mykelsblog.blogspot.com